Archive

Parc des Expositions, Porte de Versailles, Paris. Association Artistique les Surindépendants. 25 October–24 November 1930.

The Mansard Gallery, London. November 1930.

The Museum of Modern Art, New York. Painting and Sculpture by Living Americans. 2 December 1930–20 January 1931.

Galerie Percier, Paris. Alexandre Calder: Volumes–Vecteurs–Densités / Dessins–Portraits. 27 April–9 May 1931.

Künstlerhaus, Berlin. July 1931.

Parc des Expositions, Porte de Versailles, Paris. Association Artistique les Surindépendants. 23 October–22 November 1931.

Miejskie Muzeum Historji i Sztuki (Muzeum Sztuki w Lodzi), Lodz, Poland. Miedzynarodowa Kolekcja Sztuki Nowoczesnej/Collection Internationale d’Art Nouveau. 1932.

Parc des Expositions, Porte de Versailles, Paris. “1940.” 15 January–1 February 1932.

Galerie Vignon, Paris. Exposition de dessins. 15–28 January 1932.

The Renaissance Society of the University of Chicago. The Fifth Annual Exhibition of Modern French Painting. 7–21 February 1932.

Galerie Vignon, Paris. Calder: ses mobiles. 12–29 February 1932.

Julien Levy Gallery, New York. Calder: Mobiles / Abstract Sculptures. 12 May–11 June 1932.

Berliner Sommerschau, Berlin. July 1932.

L’Association Artistique Abstraction-Création, Paris. Première série. 19–31 January 1933.

Sociedad de Cursos y Conferencias, Residencia de Estudiantes, Madrid. February 1933.

Amics de l’Art Nou, Galeries Syra, Barcelona. February 1933.

Galerie Pierre Colle, Paris. Présentation des oeuvres récentes de Calder. 16–18 May 1933.

Galerie Pierre, Paris. Arp, Calder, Miró, Pevsner, Hélion, and Seligmann. 9–24 June 1933.

Berkshire Museum, Pittsfield, Massachusetts. Modern Painting and Sculpture: Alexander Calder, George L.K. Morris, Calvert Coggeshall, Alma de Gersdorff Morgan. 12–27 August 1933.

Rockefeller Center, New York. The First Municipal Art Exhibition. 28 February–31 March 1934.

Pierre Matisse Gallery, New York. Mobiles by Alexander Calder. 6–28 April 1934.

The Renaissance Society of the University of Chicago. A Selection of Works by Twentieth-Century Artists. 20 June–20 August 1934.

Berkshire Playhouse, Stockbridge, Massachusetts. Twenty-sixth Annual Stockbridge Exhibition. 8–23 September 1934.

The Museum of Modern Art, New York. Modern Works of Art: Fifth Anniversary Exhibition. 20 November 1934–20 January 1935.

The Renaissance Society of the University of Chicago. Mobiles by Alexander Calder. 14–31 January 1935.

Wadsworth Atheneum, Hartford. American Painting and Sculpture of the 18th, 19th & 20th Centuries. 29 January–19 February 1935.

The Arts Club of Chicago. Mobiles by Alexander Calder. 1–26 February 1935.

Kunstmuseum Luzern, Switzerland. Thèse, antithèse, synthèse. 24 February–31 March 1935.

Art Institute of Chicago. The Fourteenth International Exhibition of Water Colors, Pastels, Drawings and Monotypes. 21 March–2 June 1935.

Panorama (1935). Choreographed by Martha Graham; mobile sets designed by Calder; music by Norman Lloyd; costumes by Graham.

Wadsworth Atheneum, Hartford. Abstract Art. 22 October–17 November 1935.

Albright Art Gallery, Buffalo Fine Arts Academy, New York. Art of Today. 3–31 January 1936.

Socrate (1936). Music by Erik Satie (1920); mobile decor by Alexander Calder; conducted by Virgil Thomson. Performed for the First Hartford Music Festival at Wadsworth Atheneum, Hartford.

Pierre Matisse Gallery, New York. Mobiles and Objects by Alexander Calder. 10–29 February 1936.

Paper Ball: Le Cirque des Chiffonniers (1936). Production design by Pavel Tchelitchew; costumes by Tchelitchew, Calder, Alice Halicka, and others; music by Nicholas Nabokov, George Antheil, and others.

Gallery 41, Oxford, England. Abstract and Concrete: An Exhibition of Abstract Painting and Sculpture Today. 15–22 February 1936.

Horizons (1936). Choreographed by Martha Graham; mobile sets by Calder; music by Louis Horst.

The Museum of Modern Art, New York. Cubism and Abstract Art. 2 March–19 April 1936.

Gallery of Living Art at Paul Reinhardt Galleries, New York. Five Contemporary American Concretionists: Biederman, Calder, Ferren, Morris, Shaw. 9–31 March 1936.

The Lefevre Gallery, London. Abstract and Concrete: An Exhibition of Abstract Painting and Sculpture Today. April 1936. Originated from Gallery 41, Oxford, England.

Socrate (1936). Music by Erik Satie (1920); mobile decor by Alexander Calder; conducted by Alexander Steinert. Performed for the opening of Colorado Springs Fine Arts Center.

The Museum of Modern Art, New York. Modern Painters and Sculptors as Illustrators. 27 April–12 September 1936.

Vassar College, Poughkeepsie, New York. Sculpture by Alexander Calder. 5 May–8 June 1936.

Worcester Art Museum, Massachusetts. Art of the Machine Age. 15 May–18 October 1936.

Galerie Charles Ratton, Paris. Exposition surréaliste d’objets. 22–29 May 1936.

New Burlington Galleries, London. International Surrealist Exhibition. 11 June–4 July 1936.

San Francisco Museum of Art. Cubism and Abstract Art. 28 July–23 August 1936. Originated from the Museum of Modern Art, New York.

Cleveland Museum of Art. Cubism and Abstract Art. 10 October–15 November 1936. Originated from the Museum of Modern Art, New York.

The Museum of Modern Art, New York. Fantastic Art, Dada, Surrealism. 7 December 1936–17 January 1937.