Calder Foundation

Archive

Life period
1953–1962

Type
Historical Photos 68

See highlights from 1953–1962 on the timeline Large-scale Developments and Intercontinental Projects

Calder with Lion Tamer act performing Cirque Calder (1926–31), Galerie Maeght, 1953
Photograph by Agnès Varda
Calder with Lion Tamer act performing Cirque Calder (1926–31), Galerie Maeght, 1953
Photograph by Agnès Varda
Calder with Parachutist act performing Cirque Calder (1926–31), Galerie Maeght, 1953
Photograph by Agnès Varda
Calder with Trapeze act performing Cirque Calder (1926–31), Galerie Maeght, 1953
Photograph by Agnès Varda
Myxomatose (1954)
Calder with Myxomatose (1953), Paris, 1954Photograph by Agnès Varda © Agnès Varda
Calder with Myxomatose (1953), Paris, 1954
Photograph by Agnès Varda
Calder with L’empennage (1954)
Calder with L'empennage (1953), Paris, 1954Photograph by Agnès Varda © Agnès Varda
Calder with L’empennage (1953), Paris, 1954
Photograph by Agnès Varda
The Calder family (1954)
The Calder family, Paris, 1954Photograph by Agnès Varda © Agnès Varda
The Calder family, Paris, 1954
Photograph by Agnès Varda
21 feuilles blanches (1954)
Calder with 21 feuilles blanches (1953), Paris, 1954Photograph by Agnès Varda © Agnès Varda
Calder with 21 feuilles blanches (1953), Paris, 1954
Photograph by Agnès Varda
21 feuilles blanches (1954)
Calder with 21 feuilles blanches (1953), Paris, 1954Photograph by Agnès Varda © Agnès Varda
Calder with 21 feuilles blanches (1953), Paris, 1954
Photograph by Agnès Varda
Yellow Disc (1954)
Calder with Yellow Disc (1953), Paris, 1954Photograph by Agnès Varda © Agnès Varda
Calder with Yellow Disc (1953), Paris, 1954
Photograph by Agnès Varda
Calder installing works for Aix. Saché. Roxbury. 1953–54, Galerie Maeght, Paris, 1954
Photograph by Agnès Varda
Calder preparing works for Aix. Saché. Roxbury. 1953–54, Paris, 1954
Photograph by Agnès Varda
Calder, Roxbury studio (1957)
Calder, Roxbury studio, 1957. The Cock's Comb hangs overhead.Photograph by Arnold Newman © Arnold Newman
Calder, Roxbury studio, 1957. The Cock’s Comb hangs overhead.
Photograph by Arnold Newman
Calder installing .125 at Idlewild Airport (now John F. Kennedy International Airport), New York, 1957
Photograph by Walter Sanders
Calder, Roxbury studio (1957)
Calder, Roxbury studio, 1957Photograph by Arnold Newman © Arnold Newman
Calder, Roxbury studio, 1957
Photograph by Arnold Newman
Louisa Calder and Calder reviewing the installation of .125, Idlewild Airport (now John F. Kennedy International Airport), New York, 1957
Photograph by Walter Sanders
Nuns with Black Widow (1959), outside the Chiesa di San Domenico, Spoleto, Italy, 1962
Photograph by Ugo Mulas
Calder with Teodelapio, Spoleto, Italy (1962)
Calder with Teodelapio, Spoleto, Italy, 1962Photograph by Ugo Mulas © Ugo Mulas Heirs
Calder with Teodelapio, Spoleto, Italy, 1962
Photograph by Ugo Mulas
Teodelapio (1962)
Teodelapio, Spoleto, Italy, 1962Photograph by Ugo Mulas © Ugo Mulas Heirs
Teodelapio, Spoleto, Italy, 1962
Photograph by Ugo Mulas
Calder and a nun with Black Widow (1959), outside the Chiesa di San Domenico, Spoleto, Italy, 1962
Photograph by Ugo Mulas
Calder with Teodelapio and Teodelapio (maquette, 1956), Spoleto, Italy, 1962
Photograph by Ugo Mulas
Calder and Joan Miró with Les Triangles (1963) at the opening of Calder, Fondation Maeght, Saint-Paul-de-Vence, France, 1969
Photograph by Ugo Mulas