Archive

Bruzeau, Maurice. “Alexander Calder, A Blacksmith in the Town.” Revue Française des Télécommunications (December 1973).

De Cordova Museum, Lincoln, Massachusetts. Primal Images. Exhibition catalogue. 1973.

Galerie Der Spiegel, Cologne. Calder, 22 Teppiche aus den Ateliers Pinton Aubusson. Exhibition catalogue. 1973. Preface by Dr. J. W. von Moltke.

Les Gouaches de Sandy (1973). Pathé Cinema, Paris. 16mm, color, sound (French); 15 min. Directed by Carlos Vilardebo.

Calder–Miró–Prévert (1973). ORTF, France. Part of the series (no. 5) “Du Côté de chez les Maeght.” 16mm, color, sound (French); 27 min. Directed by Jean-Michel Meurice and Jean Pierre Marchand; produced by Eliane Victor.

La Memoire Élémentaire. Text by Patrick Waldberg. Portfolio of twelve color lithographs by Calder. Paris: Éditions de la Différence, c. 1973.

Art News (January 1973).

Galerie Maeght, Paris. Calder: Recent Mobiles. Exhibition catalogue. 1973. Derrière le Miroir, no. 201 (January 1973). Texts by Maurice Besset and André Balthazar.

Gimpel Fils, London. Master Sculptors of the 20th Century. Exhibition catalogue. 1973.

Prévert, Jacques. “Histoires de Chiens.” Chroniques de l’Art Vivant, no. 36 (February 1973).

Paine Art Center & Arboretum, Oshkosh, Wisconsin. Tapestries by Calder. Exhibition catalogue. 1973.

“AAA Calder Award Presented to Four Trustees.” Archives of American Art Newsletter (Spring 1973).

Calder/Chicago. Washington, D.C.: General Services Administration, 1973.

Kent, Georges. “The Magical Maker of Mobiles.” Reader’s Digest, vol. 102, no. 613 (May 1973).

Palais des Beaux-Arts, Charleroi, Belgium. Calder: Sculptures en plein air: Plaine des Manoeuvres; Gouaches et petits mobiles: Bibliothèque communale. Exhibition catalogue. 1973. Essays by Robert Rousseau and André Balthazar.

Galerie Maeght, Zurich. Alexander Calder: Retrospektive. Exhibition catalogue. 1973. Introduction by C. Giedon-Welcker.

Mitgang, Herbert. “Alexander Calder at 75: Adventures of a Free Man.” Art News, vol. 72, no. 6 (Summer 1973).

Bouisset, Maïten. “Le monde imaginé, découpe et peint d’Alexander Calder.” XXe siècle, 35th année, no. 40 (June 1973).

Dupin, Jacques. Fits and Starts; Selected Poems of Jacques Dupin. Weston, Conn.: Living Hand Editions, 1974.

Gouaches de Calder (1974). Ministère des Affaires Etrangères, Magazine Chroniques de France. 16mm, color, sound (French and Spanish); 7 min. Directed by Carlos Vilardebo.

Calder at the Zoo. Washington, D.C.: Archives of American Art, Smithsonian Institution, 1974.

cummings, e. e. Santa Claus. French translation by D. Jon Grossman, with nine etchings by Calder. Paris: Editions de l’Herbe, 1974.

Peace Portfolio II. Portfolio of four lithographs by Calder, Davis, Hinman, and Pearlstein. New York: The Academic and Professional Action Committee for a Responsible Congress and The Congressional Action Fund, 1974.

“Who But Braniff? Where But South America?” American Way (c. 1974).

“Calder’s Plane.” Steven’s Indicator (c. 1974).

Devaney, Sally G. “Flying Calder.” The Art Gallery Magazine, vol. XVII, no. 5 (February 1974).

Clair, Jean. “L’art dans les airs, l’hypermobile de Calder.” Chroniques de l’Art Vivant, no. 46 (February 1974).

Centre National d’Art Contemporain, Paris. Calder: Mobile et Lithographies. Exhibition catalogue. 1974. Text by Marianne et Serge Lemoine.

Katonah Gallery, New York. Alexander Calder. Exhibition catalogue. 1974.

Bruzeau, M. “Avec Calder.” Arts PTT, no. 67 (March 1974).

Arts PTT, no. 67 (March 1974).

New Yorker (March 1974).

Leonard Hutton Galleries, New York. Aubusson Tapestries by Calder. Exhibition catalogue. 1974. Introduction by Leonard Hutton.

Hanks, Nancy. “Art to the People.” The Saturday Evening Post (April 1974).

Carandente, Giovanni. “L’arte è ‘mobile’ qual piuma al vento.” Bolaffiarte, vol. 5, no. 40 (May 1974).

Galleria Angolare, Milan. Gouaches di Calder. Exhibition catalogue. 1974.

Kuh, Katharine. “Patterns of Paris in South America.” SR (1 June 1974).

“Calder’s Fastest Mobile.” The Baltimore Sun, 5 July 1974.

Gold, Barbara. “Art Notes: Calder and a feeling of relief.” The Baltimore Sun, 14 July 1974.

Morath, Inge. “Art-Jet to South America: Calder Invents the Sky-Painting.” Vogue (August 1974).

Friedman, Jane. “The Maeght at Ten.” Newsweek (5 August 1974).

Monumenta Newport, Inc., Newport, Rhode Island. Monumenta: Sculpture in Environment. Exhibition catalogue. 1974. Edited and with an introduction by Sam Hunter. Foreword by W. A. Crimmins. Essay by Hugh M. Davies and Sally E. Yard.

“Architecture Rediscovers Tapestry.” Architectural Record (September 1974).

Haas, Robert Bartlett. “New Wine, Old Bottles: The Decanting of a New Design Spirit.” Architectural Digest (September/October 1974).

Perls Galleries, New York. Alexander Calder: Crags and Critters of 1974. Exhibition catalogue. 1974.

Denise René/Hans Meyer, Düsseldorf. Alexander Calder: Mobiles, Stabiles, Gouachen. Exhibition catalogue. 1974.

Sherrill, Robert. “What Grand Rapids did for Jerry Ford–and Vice Versa.” New York Times Magazine (20 October 1974).

Museum of Contemporary Art, Chicago. Alexander Calder: A Retrospective Exhibition–Works from 1925–1974. Exhibition catalogue. 1974. Foreword by Stephen Prokopoff; text by Albert E. Elsen.

Margolis, Elaine. “The Day Calder Came to Town.” North Shore Art League News (November–December 1974).

“Fondation Maeght.” Lithopinion (Winter 1974).

Mowry, Thomas E., Jr. “‘Flying Colors’ Braniff Soars into Flight with their Biggest Promotion Ever.” Wharton Account, vol. 13, no. 2 (Winter 1974).

Schutte, Thomas F. “Wharton and the Arts: Quo Vadis.” Wharton Account, vol. 13, no. 2 (Winter 1974).

“Who But Braniff? Where But South America.” Wharton Account, vol. 13, no. 2 (Winter 1974).

“The 25 Most Intriguing People of 1974: Alexander Calder.” People, vol. 2, no. 27 (30 December 1974–6 January 1975).

Fort Worth Art Museum, Texas. Twentieth Century Art from Fort Worth Dallas Collections. Exhibition catalogue. 1974.

Bruzeau, Maurice. Calder à Saché. Paris: Éditions Cercle d’Art, 1975.

Perls interview (1975). Interviews with Calder, Louisa Calder, and Klaus Perls; filmed at Perls Galleries and the Saché studio. Color, sound (English); 10 min.

Les mobiles de Calder (1975). Part of the series “Festival du court-métrage.” Société Nouvelle Pathé-Cinema, Paris. 16mm, color, sound (French); 15 min. Directed by Carlos Vilardebo; cinematography by B. Taquet and B. Lutic.

Homentage à Joan Prats. Introduction by Maria-Lluïsa Borràs. Portfolio of lithographs by Calder, Chillida, Guinovart, Miró, Ràfols-Casamada, Tàpies, Vedova, Viladecans. Barcelona: Fundació Joan Miró–Centre d’Estudis d’Art Contemporani, 1975.

Our Unfinished Revolution. Text by Leonard Boudin. Portfolio of ten lithographs by Calder. New York: Alba Editions, 1975–76.

San Lazzaro et ses Amis: Hommage au fondateur de la revue XXe siècle. Portfolio of lithographs by Max Bill, Calder, Chagall, Ernst, Hartung, Miró, Moore, Sutherland, and Wou-Ki. Paris: XXe Siècle, 1975.

“Art for People Welcome in Chicago.” Progressive Architecture (January 1975).

“Calder on the Roof.” Progressive Architecture (January 1975).

Galerie Maeght, Paris. Calder: Crags and Critters. Exhibition catalogue. 1975. Derrière le Miroir, no. 212 (January 1975). Text by Mario Pedrosa.

Center for the Arts Gallery, Wesleyan University, Middletown, Connecticut. Alexander Calder: Tapestries. Exhibition catalogue. 1975. Introduction by Richard Wood.

Galleria Morone 6, Milan. Opere di Alexander Calder. Exhibition catalogue. 1975.

Lemoine, Serge. “Calder et la figure.” Art Press, no. 16 (February 1975).

Kron, Joan. “Calder Prone.” New York, vol. 8, no. 7 (17 February 1975).

Parinaud, André. “Calder ou le génie du mouvement.” Galerie Jardin des Arts, no. 145 (March 1975).

Kuh, Katharine. “Art: Some Causes for Kudos.” SR (22 March 1975).

Galleria Medea, Milan. Calder e Mathieu. Exhibition catalogue. 1975.

Hecht, Axel. “Calder: Poesie aus Draht und Eisen.” Stern, no. 22 (May 1975).

Haus der Kunst, Munich. Calder. Exhibition catalogue. 1975. Text by Maurice Besset.

Kunsthaus, Zurich. Calder. Exhibition catalogue. 1975. Texts by Max Bill and Maurice Besset.

Galerie Maeght, Zurich. Calder: Crags and Critters. Exhibition catalogue. 1975. Text by Mario Pedrosa.

“Iron Workers Assemble Calder Sculpture.” Architectural Metals (October 1975).

Renaissance du Vieux Bordeaux, France. Calder: Tapisseries–Mobiles. Exhibition catalogue. 1975. Poem by Jacques Prévert (excerpt from Maeght 1966).

Osborn, Robert. “A Conversation with Sandy (at Roxbury).” 6 October 1975.

Perls Galleries, New York. Alexander Calder: Recent Mobiles and Circus Gouaches. Exhibition catalogue. 1975.

Galerie Artek, Helsinki. Calder: Mobiles, Bijoux, Lithographies / Léger: Huiles, Gouaches, Lithographies. Exhibition catalogue. 1975.

“Art: Galleries.” New Yorker (29 October 1975).

Könnecke, Karl-Richard. “Der Mann, Den Wir Mr. Mobile Nennen.” Schöner Wohnen, no. 11 (November 1975).

“Stamp Act.” The Art Gallery Magazine (December 1975–January 1976).

Ronnen, Meir. “Poet of Motion.” Jerusalem Post, 18 April 1975.

Marter, Joan M. “Alexander Calder: Ambitious Young Sculptor of the 1930s.” Journal of the Archives of American Art, vol. 16, no. 1 (1976).

Caldwell, Erskine. Le Sacrilège d’Alan Kent. Paris: Maeght, 1976.

Les Amis de Jean Hélion. Portfolio of lithographs by Calder, Hartung, Matta, Sutherland, Miró, and Moore. Paris: Hélion-Jancovici Editions, 1976.

Oceans, vol. 9, no. 1 (1976).

Hazan, Philippe. “L’Art dans L’Auto: Quand Calder Reve.” Privé, no. 14 (January 1976).

An American Portrait, 1776–1976: 33 Contemporary Masters Join in a Trilogy Celebrating the Bicentennial. Three portfolios, each comprising of ten prints and one photograph of a sculpture by artists including Calder and Wesselmann. New York: Transworld Art Corporation, 1976.

Geist, Sidney. “The Firemen’s Ball for Brancusi.” Journal of the Archives of American Art, vol. 16, no. 1 (1976).

Quintavalle, Arturo Carlo. “Calder Auto/mobiles.” Studio Marconi, nos. 3–4 (5 February 1976).

Pedrosa, Mario. “Un tournant chez Calder.” Studio Marconi, nos. 3–4 (5 February 1976).

Pedrosa, Mario. “Calder: una svolta.” Studio Marconi, nos. 3–4 (5 February 1976).

Marlin, William. “Sprucing Up a City.” SR (7 February 1976).

Tower, Samuel A. “Tribute to WFUNA from U.N. and Calder.” New York Times, 8 February 1976.

Galeria Bonino, Rio de Janeiro. Alexander Calder. Redes-Tapecarias. Exhibition catalogue. 1976.

Galleria Marlborough, Rome. Alexander Calder: Arazzi e amache. Exhibition catalogue. 1976.

Artcurial, Paris. Calder: Tapisseries Choisies. Exhibition catalogue. 1976.

Galleria Rondanini, Rome. Dai Mobiles ai Critters. Exhibition catalogue. 1976. Texts by M. Fagiolo dell’Arco and Giovanni Carandente; reprinted text by Marcel Duchamp.