Archive | Calder Foundation

Calder with Spirale, Palais de l'UNESCO, Paris, 1958Photograph by Lore Hammerschmid

Calder with Spirale, Palais de l’UNESCO, Paris, 1958Photograph by Lore Hammerschmid

Untitled, Chase Manhattan Bank, New York, c. 1959Photograph by Lee Boltin

Installation photograph, Calder: Stabiles, Galerie Maeght, Paris, 1959

The Forest is the Best Place (1945), Moderna Museet, Stockholm, 1961

Calder with Teodelapio, Spoleto, Italy, 1962Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder with Teodelapio, Spoleto, Italy, 1962

Photograph by Ugo Mulas

Nuns with Black Widow (1959), outside the Chiesa di San Domenico, Spoleto, Italy, 1962Photograph by Ugo Mulas © Ugo Mulas Heirs

Nuns with Black Widow (1959), outside the Chiesa di San Domenico, Spoleto, Italy, 1962

Photograph by Ugo Mulas

Teodelapio, Spoleto, Italy, 1962Photograph by Ugo Mulas © Ugo Mulas Heirs

Teodelapio, Spoleto, Italy, 1962

Photograph by Ugo Mulas

Calder and a nun with Black Widow, Spoleto (1962)

Calder and a nun with Black Widow (1959), outside the Chiesa di San Domenico, Spoleto, Italy, 1962Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder and a nun with Black Widow (1959), outside the Chiesa di San Domenico, Spoleto, Italy, 1962

Photograph by Ugo Mulas

Alexander Calder: Sculpture–Mobiles (1962)

Installation photograph, Alexander Calder: Sculpture–Mobiles, Arts Council of Great Britain, Tate Gallery, London, 1962

Calder with Teodelapio and Teodelapio (maquette, 1956), Spoleto, Italy, 1962Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder with Teodelapio and Teodelapio (maquette, 1956), Spoleto, Italy, 1962

Photograph by Ugo Mulas

Calder painting Untitled with Les Triangles in the foreground, Le Carroi studio, Saché, 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder painting Untitled with Les Triangles in the foreground, Le Carroi studio, Saché, 1963

Photograph by Ugo Mulas

Bucéphale and Tamanoir, Saché, 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Bucéphale and Tamanoir, Saché, 1963

Photograph by Ugo Mulas

Haikaller (1957), Blue Feather (c. 1948), Red, White and Blue, on Black (1948), Red Lily Pads (1956), Snow Flurry (1948), Sword Plant (1947) and Dancer (1944), Saché, 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Haikaller (1957), Blue Feather (c. 1948), Red, White and Blue, on Black (1948), Red Lily Pads (1956), Snow Flurry (1948), Sword Plant (1947) and Dancer (1944), Saché, 1963

Photograph by Ugo Mulas

Calder's desk, Roxbury studio, 1963Photograph by Pedro Guerrero © Pedro Guerrero

Calder’s desk, Roxbury studio, 1963

Photograph by Pedro Guerrero

Haikaller (1957), Saché, 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Haikaller (1957), Saché, 1963

Photograph by Ugo Mulas

Dancer (1944), Saché, c. 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Dancer (1944), Saché, c. 1963

Photograph by Ugo Mulas

Construction of Le Carroi studio, Saché, 1963

Calder, François Premier, Saché, 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder, François Premier, Saché, 1963

Photograph by Ugo Mulas

Downstairs bathroom, Roxbury, 1963Photograph by Pedro Guerrero © Pedro Guerrero

Downstairs bathroom, Roxbury, 1963

Photograph by Pedro Guerrero

Calder's hand holding Haut pointé, bas bouclé (maquette), Saché, 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder’s hand holding Haut pointé, bas bouclé (maquette), Saché, 1963

Photograph by Ugo Mulas

Calder and Arthur Miller, Roxbury house "big room," 1963Photograph by Inge Morath © The Inge Morath Foundation / Magnum Photo

Calder and Arthur Miller, Roxbury house “big room,” 1963

Photograph by Inge Morath

Louisa Calder wearing a Calder ring (c. 1963)

Louisa Calder wearing a Calder ring (c. 1940), c. 1963Photograph by Herb Weitman © Herb Weitman, St. Louis

Louisa Calder wearing a Calder ring (c. 1940), c. 1963

Photograph by Herb Weitman

Calder and Arthur Miller, Roxbury (1963)

Calder and Arthur Miller with Funghi Neri (1957) and Discontinuous (1962) in the background, Roxbury, 1963Photograph by Inge Morath © The Inge Morath Foundation / Magnum Photo

Calder and Arthur Miller with Funghi Neri (1957) and Discontinuous (1962) in the background, Roxbury, 1963

Photograph by Inge Morath

Figa hair comb (c. 1948) and Bird ornament (c. 1945), Roxbury, c. 1963Photograph by Burt Chernow

Calder with Nervures Minces, Le Carroi studio, Saché, 1963Photograph by William Maywald

Calder at his desk, Roxbury studio, 1963Photograph by Inge Morath © The Inge Morath Foundation / Magnum Photo

Calder at his desk, Roxbury studio, 1963

Photograph by Inge Morath

Roxbury house, 1963Photograph by Pedro Guerrero © Pedro Guerrero

Roxbury house, 1963

Photograph by Pedro Guerrero

Calder and Louisa Calder with grandson Holton Rower, Roxbury, 1963. Southern Cross is visible in the background.Photograph by Pedro Guerrero © Pedro Guerrero

Calder and Louisa Calder with grandson Holton Rower, Roxbury, 1963. Southern Cross is visible in the background.

Photograph by Pedro Guerrero

Calder painting Untitled, Le Carroi studio, Saché (1963)

Calder painting Untitled with Les Triangles and Le Cèpe in the foreground, Le Carroi studio, Saché, 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder painting Untitled with Les Triangles and Le Cèpe in the foreground, Le Carroi studio, Saché, 1963

Photograph by Ugo Mulas

Les Triangles, Le Carroi studio, Saché, 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Les Triangles, Le Carroi studio, Saché, 1963

Photograph by Ugo Mulas

Calder François Premier studio Saché (1963)

Calder, François Premier studio, Saché, c. 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder, François Premier studio, Saché, c. 1963

Photograph by Ugo Mulas

Nervures Minces, Le Carroi studio, Saché, 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Nervures Minces, Le Carroi studio, Saché, 1963

Photograph by Ugo Mulas

Calder, Le Carroi studio, Saché, 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder, Le Carroi studio, Saché, 1963

Photograph by Ugo Mulas

Black Mobile with Hole (1954), Moulin Vert, Saché, c. 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Black Mobile with Hole (1954), Moulin Vert, Saché, c. 1963

Photograph by Ugo Mulas

Tamanoir, Saché, 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Tamanoir, Saché, 1963

Photograph by Ugo Mulas

Roxbury house kitchen, 1963Photograph by Pedro Guerrero © Pedro Guerrero

Roxbury house kitchen, 1963

Photograph by Pedro Guerrero

Calder with Southern Cross (1963) and Back from Rio (1959), Roxbury, c. 1963Photograph by Herb Weitman © Herb Weitman, St. Louis

Calder with Southern Cross (1963) and Back from Rio (1959), Roxbury, c. 1963

Photograph by Herb Weitman

Calder with Snow Flurry (1948), Saché, 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder with Snow Flurry (1948), Saché, 1963

Photograph by Ugo Mulas

Calder, Roxbury studio, 1963Photograph by Pedro Guerrero © Pedro Guerrero

Calder, Roxbury studio, 1963

Photograph by Pedro Guerrero

Roxbury house kitchen, 1963Photograph by Pedro Guerrero © Pedro Guerrero

Roxbury house kitchen, 1963

Photograph by Pedro Guerrero

Calder, Roxbury house "big room," 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder, Roxbury house “big room,” 1963

Photograph by Ugo Mulas

Le Guichet (maquette, 1962), Saché, 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Le Guichet (maquette, 1962), Saché, 1963

Photograph by Ugo Mulas

Calder, Le Carroi studio, Saché, 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder, Le Carroi studio, Saché, 1963

Photograph by Ugo Mulas

Le Carroi studio, Saché, 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Le Carroi studio, Saché, 1963

Photograph by Ugo Mulas

Les Triangles and Les Triangles (maquette) Le Carroi studio (1963)

Les Triangles and Les Triangles (maquette, 1962), Le Carroi studio, Saché, 1963Photograph by Ugo Mulas © Ugo Mulas Heirs

Les Triangles and Les Triangles (maquette, 1962), Le Carroi studio, Saché, 1963

Photograph by Ugo Mulas

Calder and granddaughter Andréa Davidson, François Premier (1963)

Calder and granddaughter Andréa Davidson, François Premier, Saché, c. 1963Photograph by Pedro Guerrero © Pedro Guerrero

Calder and granddaughter Andréa Davidson, François Premier, Saché, c. 1963

Photograph by Pedro Guerrero

François Premier, Saché, c. 1963Photograph by Pedro Guerrero © Pedro Guerrero

François Premier, Saché, c. 1963

Photograph by Pedro Guerrero

Calder at the opening reception for Alexander Calder: Stabiles, Galerie Maeght, Paris, 1963. La Lune and Tamanoir are visible in the background.Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder at the opening reception for Alexander Calder: Stabiles, Galerie Maeght, Paris, 1963. La Lune and Tamanoir are visible in the background.

Photograph by Ugo Mulas

Sandra Calder Davidson wearing a Calder brooch (c. 1940) at Galerie Maeght, Paris (1963)

Sandra Calder Davidson wearing a Calder brooch (c. 1940) at the opening reception for Alexander Calder: Stabiles, Galerie Maeght, Paris, 1963. Le Cèpe is visible in the background.Photograph by Ugo Mulas © Ugo Mulas Heirs

Sandra Calder Davidson wearing a Calder brooch (c. 1940) at the opening reception for Alexander Calder: Stabiles, Galerie Maeght, Paris, 1963. Le Cèpe is visible in the background.

Photograph by Ugo Mulas

The Calder family, Roxbury house “big room” (1964)

The Calder family, Roxbury house "big room," Christmas 1964. From left to right: Howard Rower, Alexander S. C. Rower, Calder, Louisa Calder, Holton Rower, Mary Calder Rower, Andréa Davidson, Sandra Calder Davidson, Jean Davidson, and Shawn Davidson.Photograph by Pedro Guerrero © Pedro Guerrero

The Calder family, Roxbury house “big room,” Christmas 1964. From left to right: Howard Rower, Alexander S. C. Rower, Calder, Louisa Calder, Holton Rower, Mary Calder Rower, Andréa Davidson, Sandra Calder Davidson, Jean Davidson, and Shawn Davidson.

Photograph by Pedro Guerrero

Calder playing billiards, Moulin Vert, Saché, 1964Photograph by Hans Namuth © Hans Namuth

Calder playing billiards, Moulin Vert, Saché, 1964

Photograph by Hans Namuth

Giovanni Carandente in François Premier studio Saché (1964)

Giovanni Carandente with Long Curly Tail, François Premier studio, Saché, 1964Photograph by Alberto Zanmatti © Alberto Zanmatti

Giovanni Carandente with Long Curly Tail, François Premier studio, Saché, 1964

Photograph by Alberto Zanmatti

Black Widow (1959), The Museum of Modern Art sculpture garden, New York, c. 1964Photograph by Ugo Mulas © Ugo Mulas Heirs

Black Widow (1959), The Museum of Modern Art sculpture garden, New York, c. 1964

Photograph by Ugo Mulas

Calder at his desk in his Roxbury studio (1964)

Calder at his desk, Roxbury studio, 1964Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder at his desk, Roxbury studio, 1964

Photograph by Ugo Mulas

Calder unfurling Romulus and Remus (1964)

Calder unfurling Romulus and Remus (1928), Saché, 1964Photograph by Pedro Guerrero © Pedro Guerrero

Calder unfurling Romulus and Remus (1928), Saché, 1964

Photograph by Pedro Guerrero

Three Quintains (maquette), 1964Photograph by Inge Morath © The Inge Morath Foundation / Magnum Photo

Three Quintains (maquette), 1964

Photograph by Inge Morath

Calder at Los Angeles County Museum of Art (1964)

Calder and ironworker Chippy Ieronimo at the installation of Three Quintains, Los Angeles County Museum of Art, 1964

Calder after assembling Three Quintains, Waterbury Iron Works, Connecticut, 1964Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder after assembling Three Quintains, Waterbury Iron Works, Connecticut, 1964

Photograph by Ugo Mulas

Octopus and Prickly Pear, Roxbury, 1964Photograph by Pedro Guerrero © Pedro Guerrero

Octopus and Prickly Pear, Roxbury, 1964

Photograph by Pedro Guerrero

Calder in his Roxbury studio, 1964Photograph by Herb Weitman © Herb Weitman, St. Louis

Calder in his Roxbury studio, 1964

Photograph by Herb Weitman

Louisa Calder wearing a Calder brooch (c. 1964)

Louisa Calder wearing a Calder brooch (c. 1940), c. 1964

Calder's desk, Roxbury studio, 1964Photograph by Herb Weitman © Herb Weitman, St. Louis

Calder’s desk, Roxbury studio, 1964

Photograph by Herb Weitman

Calder, Roxbury studio, 1964Photograph by Herb Weitman © Herb Weitman, St. Louis

Calder, Roxbury studio, 1964

Photograph by Herb Weitman

Calder inspecting The Onion (1965, before completion) at Segré's Iron Works, Waterbury, Connecticut, 1964Photograph by Inge Morath © The Inge Morath Foundation / Magnum Photo

Calder inspecting The Onion (1965, before completion) at Segré’s Iron Works, Waterbury, Connecticut, 1964

Photograph by Inge Morath

Alexander Calder: A Retrospective Exhibition (1964)

Calder at the installation of Alexander Calder: A Retrospective Exhibition, Solomon R. Guggenheim Museum, New York, 1964Photograph by Farrell Grehan

Calder at the opening preview for Alexander Calder: A Retrospective Exhibition, Solomon R. Guggenheim Museum, New York, 1964Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder at the opening preview for Alexander Calder: A Retrospective Exhibition, Solomon R. Guggenheim Museum, New York, 1964

Photograph by Ugo Mulas

Calder and Louisa Calder at the MacDougal Street home of daughter Mary Calder Rower and grandsons Alexander and Holton before the opening preview of Alexander Calder: A Retrospective Exhibition, Solomon R. Guggenheim Museum, New York, 5 November 1964Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder and Louisa Calder at the MacDougal Street home of daughter Mary Calder Rower and grandsons Alexander and Holton before the opening preview of Alexander Calder: A Retrospective Exhibition, Solomon R. Guggenheim Museum, New York, 5 November 1964

Photograph by Ugo Mulas

Installation photograph, Alexander Calder: A Retrospective Exhibition, Solomon R. Guggenheim Museum, New York, 1964Photograph by Robert Mates © The Solomon R. Guggenheim Foundation

Installation photograph, Alexander Calder: A Retrospective Exhibition, Solomon R. Guggenheim Museum, New York, 1964

Photograph by Robert Mates

Installation photograph, Alexander Calder: A Retrospective Exhibition, Solomon R. Guggenheim Museum, New York, 1964Photograph by Rufus Stillman

Installation photograph, Alexander Calder: A Retrospective Exhibition, Solomon R. Guggenheim Museum, New York, 1964Photograph by Robert Mates © The Solomon R. Guggenheim Foundation

Installation photograph, Alexander Calder: A Retrospective Exhibition, Solomon R. Guggenheim Museum, New York, 1964

Photograph by Robert Mates

Installation photograph, Alexander Calder: A Retrospective Exhibition, Solomon R. Guggenheim Museum, New York, 1964Photograph by Robert Mates © The Solomon R. Guggenheim Foundation

Installation photograph, Alexander Calder: A Retrospective Exhibition, Solomon R. Guggenheim Museum, New York, 1964

Photograph by Robert Mates

Sabot (maquette, 1962), Sabot (1963), Dent de sagesse (maquette, 1963), and Dent de sagesse (1964), Saché, 1965Photograph by Ugo Mulas © Ugo Mulas Heirs

Sabot (maquette, 1962), Sabot (1963), Dent de sagesse (maquette, 1963), and Dent de sagesse (1964), Saché, 1965

Photograph by Ugo Mulas

A partial view of Ellsworth Kelly’s Charmettes I (1956, positioned upside down), Jack Youngerman’s Black Blue Yellow White (study, 1958; positioned on its side), Blue Screen (1945), Louisa Calder’s dress form, Untitled (c. 1940), Light fixture (c. 1935), and Untitled (c. 1944, positioned upside down), Roxbury house "front room," c. 1965Photograph by Francois Tuefferd

A partial view of Ellsworth Kelly’s Charmettes I (1956, positioned upside down), Jack Youngerman’s Black Blue Yellow White (study, 1958; positioned on its side), Blue Screen (1945), Louisa Calder’s dress form, Untitled (c. 1940), Light fixture (c. 1935), and Untitled (c. 1944, positioned upside down), Roxbury house “front room,” c. 1965Photograph by Francois Tuefferd

François Premier, Saché, c. 1965

Photograph by Ugo Mulas

Calder at the installation of Le Guichet (1963), Lincoln Center, New York, 1965Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder at the installation of Le Guichet (1963), Lincoln Center, New York, 1965

Photograph by Ugo Mulas

Mary Calder Rower wearing a Calder brooch (c. 1945) (1965)

Mary Calder Rower wearing a Calder brooch (c. 1945), c. 1965

Louisa Calder hooking Calder rugs (1965)

Louisa Calder hooking Calder rugs, François Premier, Saché, 1967Photograph by Tony Vaccaro / Tony Vaccaro Archives

Louisa Calder hooking Calder rugs, François Premier, Saché, 1967

Photograph by Tony Vaccaro

Calder standing between Prickly Pear (1964) and Southern Cross (1963), Roxbury, c. 1965Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder standing between Prickly Pear (1964) and Southern Cross (1963), Roxbury, c. 1965

Photograph by Ugo Mulas

Calder on set for Eppur si Muove, Marseille Opera, 1965

Eppur si Muove, Marseille Opera, 1965

Calder at the installation of Calder, Musée National d'Art Moderne, Paris, 1965Photograph by Gjon Mili

Calder at the installation of Calder, Musée National d’Art Moderne, Paris, 1965Photograph by Gjon Mili

Pomegranate (1949), Haikaller (1957), and Spinnaker (1964), Calder, Musée National d'Art Moderne, Paris, 1965

Pomegranate (1949), Haikaller (1957), and Spinnaker (1964), Calder, Musée National d’Art Moderne, Paris, 1965

Numbered 8 to 11 (1956), Dent de sagesse (1964), Spinnaker (1964), Calder, Musée National d'Art Moderne, Paris, 1965

Numbered 8 to 11 (1956), Dent de sagesse (1964), Spinnaker (1964), Calder, Musée National d’Art Moderne, Paris, 1965

Three Quintains (1964), Los Angeles County Museum of Art, 1966

Calder and La Grande voile (1965) from above, Massachusetts Institute of Technology, 1966

Stamp of Frisco (1966), 1967

Monsieur Loyal, Grenoble, France, 1967

Trois disques I, Montreal, 1967

Photograph by Ugo Mulas

The Spiral (No! to Frank Lloyd Wright, 1966) at the opening for Guggenheim International Exhibition: Sculpture from Twenty Nations, Solomon R. Guggenheim Museum, New York, 1967Photograph by Ugo Mulas © Ugo Mulas Heirs

The Spiral (No! to Frank Lloyd Wright, 1966) at the opening for Guggenheim International Exhibition: Sculpture from Twenty Nations, Solomon R. Guggenheim Museum, New York, 1967

Photograph by Ugo Mulas