Archive | Calder Foundation

Calder with Crossed Blades, Etablissements Biémont, Tours, France, 1967Photograph by Tony Vaccaro / Tony Vaccaro Archives

Calder with Crossed Blades, Etablissements Biémont, Tours, France, 1967

Photograph by Tony Vaccaro

Calder outside the Le Carroi studio, Saché (1967)

Calder with Le Faucon (1963), Les Trois ailes (1963), and Triangles and Arches (1965) outside the Le Carroi studio, Saché, 1967

Photograph by Tony Vaccaro / Tony Vaccaro Archives

Calder with Le Faucon (1963), Les Trois ailes (1963), and Triangles and Arches (1965) outside the Le Carroi studio, Saché, 1967

Photograph by Tony Vaccaro

Earle Brown's Calder Piece performed at the Fondation Maeght, Saint-Paul-de-Vence, France, August 1967

Earle Brown’s Calder Piece performed at the Fondation Maeght, Saint-Paul-de-Vence, France, August 1967

Rehearsal for Work in Progress, Teatro dell'Opera, Rome, 1968Photograph by Ugo Mulas © Ugo Mulas Heirs

Rehearsal for Work in Progress, Teatro dell’Opera, Rome, 1968

Photograph by Ugo Mulas

Work in Progress, Teatro dell'Opera, Rome, 1968Photograph by Ugo Mulas © Ugo Mulas Heirs

Work in Progress, Teatro dell’Opera, Rome, 1968

Photograph by Ugo Mulas

Work in Progress, Teatro dell'Opera, Rome, 1968Photograph by Ugo Mulas © Ugo Mulas Heirs

Work in Progress, Teatro dell’Opera, Rome, 1968

Photograph by Ugo Mulas

Requin et Baleine (c. 1933) in Le Carroi studio, Saché, 1968Photograph by Clovis Prevost © Clovis Prevost

Requin et Baleine (c. 1933) in Le Carroi studio, Saché, 1968

Photograph by Clovis Prevost

Calder creating Self Portrait, François Premier studio, Saché, 1968Photograph by Gjon Mili

El Sol Rojo, Mexico City, 1968Photograph by Robert Emmett Smallman

Le Faucon (1963) and Cactus provisoire (1967), Saché, 1968Photograph by Clovis Prevost © Clovis Prevost

Le Faucon (1963) and Cactus provisoire (1967), Saché, 1968

Photograph by Clovis Prevost

Calder during rehearsals for Work in Progress, Teatro dell'Opera, Rome, 1968Photograph by John G. Ross © Estate of John G. Ross

Calder during rehearsals for Work in Progress, Teatro dell’Opera, Rome, 1968

Photograph by John G. Ross

Têtes et queue at the Neue Nationalgalerie (1968)

Têtes et queue (1965), Neue Nationalgalerie, Berlin, 1968

Calder, François Premier studio, c. 1969Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder, François Premier studio, c. 1969

Photograph by Ugo Mulas

Calder with Lily of Force (1945), François Premier, Saché, c. 1969Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder with Lily of Force (1945), François Premier, Saché, c. 1969

Photograph by Ugo Mulas

Calder, François Premier studio, Saché (1969)

Calder, François Premier studio, Saché, c. 1969Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder, François Premier studio, Saché, c. 1969

Photograph by Ugo Mulas

Le Carroi studio, Saché, 1969

Dedication of La Grande vitesse, Grand Rapids, Michigan, 1969

Janey Waney (1969), Smith Haven Mall, Lake Grove, New York, 1969

Joan Miró with Personnage pour Joan Miró (1947) in his Palma de Mallorca studio, 1969Photograph by Francesc Català-Roca © Photographic Archive F. Català-Roca - Arxiu Fotogràfic del Collegi d'Arquitectes de Catalunya

Joan Miró with Personnage pour Joan Miró (1947) in his Palma de Mallorca studio, 1969

Photograph by Francesc Català-Roca

Postcard of La Grande vitesse, Grand Rapids, c. 1969Photograph by John Penrod

Une boule noire, une boule blanche (1932/69), Black Gamma (1966), Untitled (1963), Calder, Fondation Maeght, Saint-Paul-de-Vence, France, 1969Photograph by Rufus Stillman

Fafnir (1968), Sabot (1963), Bourges (1969), Le 31 Janvier (1950), Calder, Fondation Maeght, Saint-Paul-de-Vence, France, 1969Photograph by Rufus Stillman

Guillotine pour huit (1963) outside Calder, Fondation Maeght, Saint-Paul-de-Vence, France, 1969. Les Triangles (1963) and Cactus provisoire (1967) are visible in the background.Photograph by Claude Gaspari

Haikaller (1957), Calder, Fondation Maeght, Saint-Paul-de-Vence, France, 1969. Personnages (1967), Le Cheval caillou (1968), and Affreux (1966) are visible in the background.

Black Gamma (1966), Calder, Fondation Maeght, Saint-Paul-de-Vence, France, 1969

Calder and Miró at Fondation Maeght (1969)

Calder and Joan Miró at the opening of Calder, Fondation Maeght, Saint-Paul-de-Vence, France, 1969Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder and Joan Miró at the opening of Calder, Fondation Maeght, Saint-Paul-de-Vence, France, 1969

Photograph by Ugo Mulas

Morning Cobweb, Fondation Maeght, Saint-Paul-de-Vence, France, 1969Photograph by Ugo Mulas © Ugo Mulas Heirs

Morning Cobweb, Fondation Maeght, Saint-Paul-de-Vence, France, 1969

Photograph by Ugo Mulas

Calder and Joan Miró with Les Triangles (1963) at the opening of Calder, Fondation Maeght, Saint-Paul-de-Vence, France, 1969Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder and Joan Miró with Les Triangles (1963) at the opening of Calder, Fondation Maeght, Saint-Paul-de-Vence, France, 1969

Photograph by Ugo Mulas

Calder and Miró outside Fondation Maeght (1969)

Calder and Joan Miró with Cactus provisoire (1967) and Les Triangles (1963) outside Calder, Fondation Maeght, Saint-Paul-de-Vence, France, 1969Photograph by Ugo Mulas © Ugo Mulas Heirs

Calder and Joan Miró with Cactus provisoire (1967) and Les Triangles (1963) outside Calder, Fondation Maeght, Saint-Paul-de-Vence, France, 1969

Photograph by Ugo Mulas

Gwenfritz (1968), Smithsonian American Art Museum, Washington, D.C., c. 1969

Calder in the new house, Saché, c. 1970Photograph by Henri Cartier-Bresson © Henri Cartier-Bresson

Calder in the new house, Saché, c. 1970

Photograph by Henri Cartier-Bresson

Stegosaurus, Hartford, Connecticut, 1973Photograph by David Robbins

Installation of Stegosaurus, Hartford, Connecticut, 1973

Installation of Stegosaurus, Hartford, Connecticut, 1973Photograph by David Robbins

Flamingo (1973), Chicago, c. 1973

Calder and Louisa Calder descending Flying Colors (1973)

Calder and Louisa Calder descending Flying Colors, October 1973Photograph by Rufus Stillman

Universe, Sears Tower (now Willis Tower), Chicago, 1974Photograph by Robert Fine

Universe, Sears Tower (now Willis Tower), Chicago, 1974Photograph by Robert Fine

Alexander Calder: Crags and Critters of 1974 (1974)

Installation photograph, Alexander Calder: Crags and Critters of 1974, Perls Galleries, New York, 1974

Calder inspecting Knobs (maquette) (1975)

Calder inspecting Knobs (maquette) with plans for Knobs (1976) at Etablissements Biémont, Tours, France, c. 1975

Calder in front of his BMW Art Car (1975)

Calder in front of his BMW Art Car with Hervé Poulain, Jean Marie Curien, Jean Louis Maesen, and Jochen Neerpasch, Saché, 1975Photograph by Jean-Marie Bottequin

Calder with Hervé Poulain holding Calder BMW Art Car (maquette), Le Carroi house, Saché, 1975

Calder BMW Art Car (1:5 intermediate maquette) in front of Calder BMW Art Car, Saché, 1975

Calder painting Le Poisson on the engine cowling of the first Braniff Flying Colors, Le Bourget, Paris, 31 May 1975

Calder and Jean Lipman at the installation of Cirque Calder, Whitney Museum of American Art, New York, 1975Photograph by Pedro Guerrero © Pedro Guerrero

Calder and Jean Lipman at the installation of Cirque Calder, Whitney Museum of American Art, New York, 1975

Photograph by Pedro Guerrero

Critter au chapeau bleu (1974), Grand Critter Shiva (1974), and Crag (1974), Calder: Crags and Critters, Galerie Maeght, Paris, 1975Keystone Press Agency

Portrait of Calder at 24 Hours du Mans (1975)

Louisa Calder in the new Saché house (1976)

Louisa Calder, Le Carroi house, Saché, 1976

Photograph by Pedro Guerrero

Anjelica Huston wearing The Jealous Husband (1976)

Anjelica Huston wearing The Jealous Husband (c. 1940), 1976

Photograph by Evelyn Hofer

Installation of Jerusalem Stabile I (1976)

Installation of Jerusalem Stabile I, Jerusalem, 1976

Photograph by R. Milon

Gui, The Red Feather (1975), Reims croix du sud (1969), Horizontal (1974) and Feuille d'arbre (1974) outside Le Carroi studio, Saché, 1976

Gui, The Red Feather (1975), Reims croix du sud (1969), Horizontal (1974) and Feuille d’arbre (1974) outside Le Carroi studio, Saché, 1976

Postcard showing aerial view of Le Carroi Saché (1976)

Postcard showing aerial view of Le Carroi, Saché, c. 1976

Horizontal (1974), Saché, c. 1976

Jerusalem Stabile (intermediate maquette) and Jerusalem Stabile (1:10 intermediate maquette) on an element of Jerusalem Stabile I, Etablissements Biémont, Tours, France, 1976

Opening reception, Calder's Universe, Whitney Museum of American Art, New York, 14 October 1976Photograph by Budd Waintrob

Opening reception, Calder’s Universe, Whitney Museum of American Art, New York, 14 October 1976Photograph by Budd Waintrob

Calder and Georgia O’Keeffe at a dinner in Calder’s honor (1976)

Calder and Georgia O'Keeffe at a dinner in Calder's honor, Whitney Museum of American Art, New York, 1976Photograph by Abner Symons © Women's Wear Daily

Calder and Georgia O’Keeffe at a dinner in Calder’s honor, Whitney Museum of American Art, New York, 1976

Photograph by Abner Symons

Opening reception for Calder's Universe, Whitney Museum of American Art, New York, 1976Photograph by Waintrob-Budd

Opening reception for Calder’s Universe, Whitney Museum of American Art, New York, 1976Photograph by Waintrob-Budd

Opening reception for Calder's Universe, Whitney Museum of American Art, New York, 1976Photograph by Waintrob-Budd

Opening reception for Calder’s Universe, Whitney Museum of American Art, New York, 1976Photograph by Waintrob-Budd

Opening reception for Calder's Universe, Whitney Museum of American Art, New York, 1976Photograph by Waintrob-Budd

Opening reception for Calder’s Universe, Whitney Museum of American Art, New York, 1976Photograph by Waintrob-Budd