My first abstract things grew out of meeting Mondrian, Léger, Miró. At first I began to paint, but this lasted only a few weeks as I soon began to work with wire (with which I had long been conversant) and detached objects. At first the objects were static (“stabiles”), seeking to give a sense of cosmic relationship. Then I felt that these relations were possibly not the most important and I introduced flexibility, so that the relationships would be more general. From that I went to the use of motion for its contrapuntal value, as in good choreography.
Kunstsammlung Nordrhein-Westfalen, Düsseldorf. Alexander Calder: Avant-Garde in Motion. Exhibition catalogue. 2013.
Gryphon Rue Rower-Upjohn, Calder and SoundSolo Exhibition Catalogue
Dominique Lévy Gallery, New York. Alexander Calder: Multum in Parvo. Exhibition catalogue. 2015.
Jed Perl, Alexander Calder: Multum in ParvoSolo Exhibition Catalogue
Hauser & Wirth, Zürich. Transparence: Calder / Picabia. Exhibition catalogue. 2015.
George Baker, Picabia and Calder: A TrajectoryGroup Exhibition Catalogue
“Calder in France.” Cahiers d’Art, no. 1 (2015). Edited by Alexander S. C. Rower.
Susan Braeuer Dam, Calder in France
Robert Melvin Rubin, An Architecture of Making: Saché and Roxbury
Agnès Varda in conversation with Joan SimonMagazine, Monograph