Calder Foundation
Pierre Matisse Gallery, New York. Mobiles by Alexander Calder. Exhibition catalogue. 1934.

James Johnson Sweeney, Mobiles by Alexander Calder

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The Renaissance Society at The University of Chicago. Mobiles by Alexander Calder. Exhibition catalogue. 1935.

James Johnson Sweeney, Alexander Calder’s Mobiles

Solo Exhibition Catalogue

Calder, Alexander. “Mobiles.” In The Painter’s Object, edited by Myfanwy Evans. London: Gerald Howe, 1937.

General Reference

Calder, Alexander. “Mercury Fountain.” Stevens Indicator, vol. 55, no. 3 (May 1938).

Magazine

Sweeney, James Johnson. “Alexander Calder: Movement as a Plastic Element.” Plus, no. 2 (February 1939).

Magazine
Related Timeline
1930–1936 Shift to Abstraction

Following a visit in October of 1930 to Piet Mondrian’s studio, where he was impressed by the environmental installation, Calder made his first wholly abstract compositions and invented the kinetic sculpture now known as the mobile. Coined for these works by Marcel Duchamp in 1931, the word “mobile” refers to both “motion” and “motive” in French. He also created stationary abstract works that Jean Arp dubbed “stabiles.”