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National Police Gazette (1926)

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Galerie Billiet-Pierre Vorms, Paris. Sculptures bois et fil de fer de Alexandre Calder. Exhibition catalogue. 1929.

Jules Pascin, Statement

Solo Exhibition Catalogue

Behne, Adolf. “Plastik als Luftakt: Alexander Calder in der Galerie Neumann-Nierendorf.” Welt Am Abend, 11 April 1929.

Newspaper

Calder, Alexander. Statement on Wire Sculpture. Manuscript, 1929. Calder Foundation, New York. Typed and annotated by Jean Davidson.

Unpublished Document or Manuscript

Galerie Percier, Paris. Alexandre Calder: Volumes–Vecteurs–Densités / Dessins–Portraits. Exhibition catalogue. 1931.

Fernand Léger, Introduction

Solo Exhibition Catalogue
Related Timeline
1926–1930
1926–1930 Wire Sculpture and the Circus

Soon after moving to Paris in 1926, Calder created his Cirque Calder. Made of wire and a spectrum of found materials, the Cirque was a work of performance art that gained Calder an introduction to the Parisian avant-garde. He continued to explore his invention of wire sculpture, whereby he “drew” with wire in three dimensions the portraits of friends, animals, circus themes, and personalities of the day.