Calder Foundation

Shark Sucker

Date 1930
Media
Wood
Dimensions
10 3⁄4" × 30 7⁄8" × 10 1⁄4"
Collection
The Museum of Modern Art, New York; Gift of the Artist
Historical Photos  4
Related exhibitions  8
The Museum of Modern Art, New York (1943)

The Museum of Modern Art, New York. Alexander Calder: Sculptures and Constructions. 29 September 1943–16 January 1944.

Solo Exhibition
New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Cambridge (1950)

New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Cambridge. Calder. 5 December 1950–14 January 1951.

Solo Exhibition
Museu de Arte Moderna, São Paulo, Brazil (1953)

Museu de Arte Moderna, São Paulo, Brazil. II Bienal do Museu de Arte Moderna de São Paulo. 15 December 1953–28 February 1954.

Group Exhibition
Arts Council of Great Britain, Tate Gallery, London (1962)

Arts Council of Great Britain, Tate Gallery, London. Alexander Calder: Sculpture–Mobiles. 4 July–12 August 1962.

Solo Exhibition
Solomon R. Guggenheim Museum, New York (1964)

Solomon R. Guggenheim Museum, New York. Alexander Calder: A Retrospective Exhibition. 6 November 1964–31 January 1965.

Solo Exhibition
Whitney Museum of American Art, New York (1976)

Whitney Museum of American Art, New York. Calder’s Universe. 14 October 1976–6 February 1977.

Solo Exhibition
Fondation Beyeler, Riehen/Basel (2016)

Fondation Beyeler, Riehen/Basel. Alexander Calder & Fischli/Weiss. 29 May–4 September 2016.

Group Exhibition
The Museum of Modern Art, New York (2021)

The Museum of Modern Art, New York. Alexander Calder: Modern from the Start. 14 March 2021–15 January 2022.

Solo Exhibition
Selected films  1
Alexander Calder: Sculpture and Constructions
Alexander Calder: Sculpture and Constructions 1944Cinematography by Herbert Matter
Works / Carved Figure 26
Related Timeline
1926–1930 Wire Sculpture and the Circus

Soon after moving to Paris in 1926, Calder created his Cirque Calder. Made of wire and a spectrum of found materials, the Cirque was a work of performance art that gained Calder an introduction to the Parisian avant-garde. He continued to explore his invention of wire sculpture, whereby he “drew” with wire in three dimensions the portraits of friends, animals, circus themes, and personalities of the day.