Calder Foundation
Site Search
Site Search

Untitled, c. 1934

Work

Untitled

Date c. 1934
Media
Wood, rod, and string
Dimensions
39" × 36"
Collection
Solomon R. Guggenheim Museum, New York; Collection Mary Reynolds, gift of her brother, 1954 (no. 54.1392)
Hanging Mobile
Related exhibitions  5
Solomon R. Guggenheim Museum, New York (1964)

Solomon R. Guggenheim Museum, New York. Alexander Calder: A Retrospective Exhibition. 6 November 1964–31 January 1965.

Solo Exhibition
Musée National d’Art Moderne, Paris (1965)

Musée National d’Art Moderne, Paris. Calder. 8 July–15 October 1965. Originated from the Solomon R. Guggenheim Museum, New York.

Solo Exhibition
Fondation Maeght, Saint-Paul-de-Vence, France (1969)

Fondation Maeght, Saint-Paul-de-Vence, France. Calder. 2 April–31 May 1969.

Solo Exhibition
National Gallery of Art, Washington, D.C. (1998)

National Gallery of Art, Washington, D.C. Alexander Calder: 1898–1976. 29 March–12 July 1998.

Solo Exhibition
Leeum, Samsung Museum of Art, Seoul (2013)

Leeum, Samsung Museum of Art, Seoul. Calder. 18 July–20 October 2013.

Solo Exhibition
Archive
Works / Hanging Mobile 167
Starfish (1934)
Starfish, 1934
Elephant (1936)
Elephant, 1936
Untitled (1936)
Untitled, 1936
Mobile (1936)
Mobile, 1936
Related Timeline
1930–1936
1930–1936 Shift to Abstraction

Following a visit in October of 1930 to Piet Mondrian’s studio, where he was impressed by the environmental installation, Calder made his first wholly abstract compositions and invented the kinetic sculpture now known as the mobile. Coined for these works by Marcel Duchamp in 1931, the word “mobile” refers to both “motion” and “motive” in French. He also created stationary abstract works that Jean Arp dubbed “stabiles.”