Calder Foundation
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Brooch, c. 1948

Work

Brooch

Date c. 1948
Media
Silver wire, citrine, amethyst, aquamarine, gold and steel wire
Dimensions
6 15⁄16" × 4 15⁄16"
Collection
Calder Foundation, New York
Jewelry
Historical Photos  1
Alexander Calder: A Retrospective Exhibition (1964)
Installation photograph, Alexander Calder: A Retrospective Exhibition, Solomon R. Guggenheim Museum, New York, 1964Photograph by Robert Mates © The Solomon R. Guggenheim Foundation
Installation photograph, Alexander Calder: A Retrospective Exhibition, Solomon R. Guggenheim Museum, New York, 1964
Photograph by Robert Mates
Related exhibitions  4
Ministério da Educação e Saúde, Rio de Janeiro (1948)

Ministério da Educação e Saúde, Rio de Janeiro. Alexander Calder. September 1948.

Solo Exhibition
Solomon R. Guggenheim Museum, New York (1964)

Solomon R. Guggenheim Museum, New York. Alexander Calder: A Retrospective Exhibition. 6 November 1964–31 January 1965.

Solo Exhibition
National Gallery of Art, Washington, D.C. (1998)

National Gallery of Art, Washington, D.C. Alexander Calder: 1898–1976. 29 March–12 July 1998.

Solo Exhibition
The Metropolitan Museum of Art, New York (2008)

The Metropolitan Museum of Art, New York. Calder Jewelry. 8 December 2008–1 March 2009. Originated from the Norton Museum of Art, West Palm Beach, Florida.

Solo Exhibition
Archive
Works / Jewelry 123
Reclining Bride (1948)
Reclining Bride, 1948
Brooch (c. 1948)
Brooch, c. 1948
Brooch (c. 1948)
Brooch, c. 1948
Figa brooch (c. 1948)
Figa brooch, c. 1948
Related Timeline
1946–1952
1946–1952 International Distinction

Calder had a major show in 1946 at Galerie Louis Carré in Paris for which Jean-Paul Sartre wrote a seminal essay. He designed sets and costumes for a number of theatrical performances and designed a huge acoustic ceiling for the Aula Magna auditorium at Universidad Central de Venezuela. In 1952, Calder represented the United States at the Venice Biennale, winning the grand prize for sculpture.