Calder Foundation
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Discontinuous, 1962

Work

Discontinuous

Date 1962
Media
Sheet metal, bolts, and paint
Dimensions
large section: 9'6 1⁄2" × 12'9 1⁄2" × 13' 1/2"; small section: 6'7 1⁄4" × 11'2" × 4'9"
Collection
Calder Foundation, New York
Monumental Sculpture, Stabile
Historical Photos  1
Calder and Arthur Miller, Roxbury (1963)
Calder and Arthur Miller with Funghi Neri (1957) and Discontinuous (1962) in the background, Roxbury, 1963Photograph by Inge Morath © The Inge Morath Foundation / Magnum Photo
Calder and Arthur Miller with Funghi Neri (1957) and Discontinuous (1962) in the background, Roxbury, 1963
Photograph by Inge Morath
Related exhibitions  1
Storm King Art Center, Mountainville (2001)

Storm King Art Center, Mountainville, New York. Grand Intuitions: Calder’s Monumental Sculpture. 21 May 2001–15 November 2003.

Solo Exhibition
Archive
Works / Monumental Sculpture 216
The Crab (1962)
The Crab, 1962
Rouge triomphant (1963)
Rouge triomphant, 1963
Untitled (1963)
Untitled, 1963
Polygons on Triangles (1963)
Polygons on Triangles, 1963
Works / Stabile 251
Untitled (maquette) (c. 1963)
Untitled (maquette), c. 1963
Polygons on Triangles (maquette) (c. 1963)
Polygons on Triangles (maquette), c. 1963
Tamanoir (maquette) (c. 1963)
Tamanoir (maquette), c. 1963
Tamanoir (1963)
Tamanoir, 1963
Related Timeline
1953–1962
1953–1962 Large-scale Developments and Intercontinental Projects

During a yearlong stay in Aix-en-Provence, Calder executed the first group of large-scale outdoor works and concurrently concentrated on painting gouaches. In 1954–55, he visited the Middle East, India, and South America, with trips to Paris in between, resulting in an astonishing output and range of work. Toward the late 1950s, Calder turned his attention to commissions both at home and abroad.