Calder Foundation

Apple Monster

Date 1938
Media
Wood, wire, and paint
Dimensions
66" × 55 1⁄2" × 32 1⁄2"
Collection
Calder Foundation, New York; Gift of Alexander S. C. Rower in memory of Mary Calder Rower, 2015
Historical Photos  8
Related exhibitions  8
The Museum of Modern Art, New York (1943)

The Museum of Modern Art, New York. Alexander Calder: Sculptures and Constructions. 29 September 1943–16 January 1944.

Solo Exhibition
New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Cambridge (1950)

New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Cambridge. Calder. 5 December 1950–14 January 1951.

Solo Exhibition
Arts Council of Great Britain, Tate Gallery, London (1962)

Arts Council of Great Britain, Tate Gallery, London. Alexander Calder: Sculpture–Mobiles. 4 July–12 August 1962.

Solo Exhibition
Solomon R. Guggenheim Museum, New York (1964)

Solomon R. Guggenheim Museum, New York. Alexander Calder: A Retrospective Exhibition. 6 November 1964–31 January 1965.

Solo Exhibition
Musée National d’Art Moderne, Paris (1965)

Musée National d’Art Moderne, Paris. Calder. 8 July–15 October 1965. Originated from the Solomon R. Guggenheim Museum, New York.

Solo Exhibition
National Gallery of Art, Washington, D.C. (1998)

National Gallery of Art, Washington, D.C. Alexander Calder: 1898–1976. 29 March–12 July 1998.

Solo Exhibition
Fondation Beyeler, Riehen/Basel (2016)

Fondation Beyeler, Riehen/Basel. Alexander Calder & Fischli/Weiss. 29 May–4 September 2016.

Group Exhibition
Hauser & Wirth, Somerset (2018)

Hauser & Wirth, Somerset, England. Calder: From the Stony River to the Sky. 26 May 2018–9 September 2018.

Solo Exhibition
Works / Standing Mobile 253
Related Timeline
1937–1945 Public Commissions and the War

In 1937, Calder completed Devil Fish, his first stabile enlarged from a model. He received two important commissions: Mercury Fountain (1937) and Lobster Trap and Fish Tail (1939). His first retrospective was held in 1938 at the George Walter Vincent Smith Gallery in Springfield, Massachusetts, followed by another in 1943 at the Museum of Modern Art in New York.