Calder Foundation

Half-circle, Quarter-circle and Sphere

Date 1932
Media
Sheet metal, wood, rod, and paint, with motor
Dimensions
76 5⁄8" × 35 1⁄2" × 25"
Collection
Whitney Museum of American Art, New York; Purchase, with funds from the Howard and Jean Lipman Foundation, Inc. (no. 69.258)
Related exhibitions  8
Arts Council of Great Britain, Tate Gallery, London (1962)

Arts Council of Great Britain, Tate Gallery, London. Alexander Calder: Sculpture–Mobiles. 4 July–12 August 1962.

Solo Exhibition
Solomon R. Guggenheim Museum, New York (1964)

Solomon R. Guggenheim Museum, New York. Alexander Calder: A Retrospective Exhibition. 6 November 1964–31 January 1965.

Solo Exhibition
Musée National d’Art Moderne, Paris (1965)

Musée National d’Art Moderne, Paris. Calder. 8 July–15 October 1965. Originated from the Solomon R. Guggenheim Museum, New York.

Solo Exhibition
Fondation Maeght, Saint-Paul-de-Vence, France (1969)

Fondation Maeght, Saint-Paul-de-Vence, France. Calder. 2 April–31 May 1969.

Solo Exhibition
Whitney Museum of American Art, New York (1976)

Whitney Museum of American Art, New York. Calder’s Universe. 14 October 1976–6 February 1977.

Solo Exhibition
Musée National d’Art Moderne, Centre Georges Pompidou, Paris (2009)

Musée National d’Art Moderne, Centre Georges Pompidou, Paris. Alexander Calder: les années parisiennes 1926–1933. 18 March–20 July 2009. Originated from the Whitney Museum of American Art, New York.

Solo Exhibition
Whitney Museum of American Art, New York (2017)

Whitney Museum of American Art, New York. Calder: Hypermobility. 9 June–23 October 2017.

Solo Exhibition
National Gallery of Victoria, Melbourne (2019)

National Gallery of Victoria, Melbourne. Alexander Calder: Radical Inventor. 5 April–4 August 2019. Originated from Montreal Museum of Fine Arts.

Solo Exhibition
Works / Standing Mobile 249
Related Timeline
1930–1936 Shift to Abstraction

Following a visit in October of 1930 to Piet Mondrian’s studio, where he was impressed by the environmental installation, Calder made his first wholly abstract compositions and invented the kinetic sculpture now known as the mobile. Coined for these works by Marcel Duchamp in 1931, the word “mobile” refers to both “motion” and “motive” in French. He also created stationary abstract works that Jean Arp dubbed “stabiles.”