Calder Foundation

Amédée Ozenfant

Date c. 1930
Media
Wire
Dimensions
23 ⅝” × 15 ¾” × 14 ⁹⁄₁₆”
Collection
Private Collection
Related exhibitions  6
Galerie Percier, Paris (1931)

Galerie Percier, Paris. Alexandre Calder: Volumes–Vecteurs–Densités / Dessins–Portraits. 27 April–9 May 1931.

Solo Exhibition
The Museum of Modern Art, New York (1943)

The Museum of Modern Art, New York. Alexander Calder: Sculptures and Constructions. 29 September 1943–16 January 1944.

Solo Exhibition
Venice (1952)

Venice. XXVI Biennale di Venezia. 14 June–19 October 1952.

Group Exhibition
Arts Council of Great Britain, Tate Gallery, London (1962)

Arts Council of Great Britain, Tate Gallery, London. Alexander Calder: Sculpture–Mobiles. 4 July–12 August 1962.

Solo Exhibition
Musée National d’Art Moderne, Centre Georges Pompidou, Paris (2009)

Musée National d’Art Moderne, Centre Georges Pompidou, Paris. Alexander Calder: les années parisiennes 1926–1933. 18 March–20 July 2009. Originated from the Whitney Museum of American Art, New York.

Solo Exhibition
Tate Modern, London (2015)

Tate Modern, London. Alexander Calder: Performing Sculpture. 11 November 2015–3 April 2016.

Solo Exhibition
Works / Wire Sculpture 74
Related Timeline
1926–1930 Wire Sculpture and the Circus

Soon after moving to Paris in 1926, Calder created his Cirque Calder. Made of wire and a spectrum of found materials, the Cirque was a work of performance art that gained Calder an introduction to the Parisian avant-garde. He continued to explore his invention of wire sculpture, whereby he “drew” with wire in three dimensions the portraits of friends, animals, circus themes, and personalities of the day.