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Many, 1931

Work

Many

Date 1931
Media
Ink on paper
Dimensions
19 5⁄8" × 25 1⁄2"
Collection
The Museum of Modern Art, New York; Gift of Mr. & Mrs. Klaus G. Perls
Work on Paper
Related exhibitions  6
Solomon R. Guggenheim Museum, New York (1964)

Solomon R. Guggenheim Museum, New York. Alexander Calder: A Retrospective Exhibition. 6 November 1964–31 January 1965.

Solo Exhibition
Whitney Museum of American Art, New York (1976)

Whitney Museum of American Art, New York. Calder’s Universe. 14 October 1976–6 February 1977.

Solo Exhibition
National Gallery of Art, Washington, D.C. (1998)

National Gallery of Art, Washington, D.C. Alexander Calder: 1898–1976. 29 March–12 July 1998.

Solo Exhibition
Tate Modern, London (2015)

Tate Modern, London. Alexander Calder: Performing Sculpture. 11 November 2015–3 April 2016.

Solo Exhibition
Fondation Beyeler, Riehen/Basel (2016)

Fondation Beyeler, Riehen/Basel. Alexander Calder & Fischli/Weiss. 29 May–4 September 2016.

Group Exhibition
The Museum of Modern Art, New York (2021)

The Museum of Modern Art, New York. Alexander Calder: Modern from the Start. 14 March 2021–15 January 2022.

Solo Exhibition
Archive
Works / Work on Paper 277
Untitled (1931)
Untitled, 1931
In Perspective (1931)
In Perspective, 1931
Ninety Degrees in View (1931)
Ninety Degrees in View, 1931
Acrobat (1932)
Acrobat, 1932
Related Timeline
1930–1936
1930–1936 Shift to Abstraction

Following a visit in October of 1930 to Piet Mondrian’s studio, where he was impressed by the environmental installation, Calder made his first wholly abstract compositions and invented the kinetic sculpture now known as the mobile. Coined for these works by Marcel Duchamp in 1931, the word “mobile” refers to both “motion” and “motive” in French. He also created stationary abstract works that Jean Arp dubbed “stabiles.”