Calder Foundation

Southern Cross (maquette)

Date 1960
Media
Sheet metal, wire, and paint
Dimensions
32” × 41 3⁄4” × 17”
Collection
Calder Foundation, New York; Mary Calder Rower Bequest, 2011
Historical Photos  2
Related exhibitions  8
Solomon R. Guggenheim Museum, New York (1964)

Solomon R. Guggenheim Museum, New York. Alexander Calder: A Retrospective Exhibition. 6 November 1964–31 January 1965.

Solo Exhibition
Musée National d’Art Moderne, Paris (1965)

Musée National d’Art Moderne, Paris. Calder. 8 July–15 October 1965. Originated from the Solomon R. Guggenheim Museum, New York.

Solo Exhibition
National Gallery of Art, Washington, D.C. (1998)

National Gallery of Art, Washington, D.C. Alexander Calder: 1898–1976. 29 March–12 July 1998.

Solo Exhibition
Storm King Art Center, Mountainville (2001)

Storm King Art Center, Mountainville, New York. Grand Intuitions: Calder’s Monumental Sculpture. 21 May 2001–15 November 2003.

Solo Exhibition
Palazzo delle Esposizioni, Rome (2009)

Palazzo delle Esposizioni, Rome. Calder: Sculptor of Air. 23 October 2009–14 February 2010.

Solo Exhibition
Leeum, Samsung Museum of Art, Seoul (2013)

Leeum, Samsung Museum of Art, Seoul. Calder. 18 July–20 October 2013.

Solo Exhibition
Los Angeles County Museum of Art (2013)

Los Angeles County Museum of Art. Calder and Abstraction: From Avant-Garde to Iconic. 24 November 2013–27 July 2014.

Solo Exhibition
National Gallery of Victoria, Melbourne (2019)

National Gallery of Victoria, Melbourne. Alexander Calder: Radical Inventor. 5 April–4 August 2019. Originated from Montreal Museum of Fine Arts.

Solo Exhibition
Related works  1
Works / Standing Mobile 249
Related Timeline
1953–1962 Large-scale Developments and Intercontinental Projects

During a yearlong stay in Aix-en-Provence, Calder executed the first group of large-scale outdoor works and concurrently concentrated on painting gouaches. In 1954–55, he visited the Middle East, India, and South America, with trips to Paris in between, resulting in an astonishing output and range of work. Toward the late 1950s, Calder turned his attention to commissions both at home and abroad.