Calder Foundation

Two Acrobats

Date 1929
Media
Steel wire, wood, and paint
Dimensions
34 9⁄16" × 21 5⁄8" × 6 1⁄2"
Collection
The Menil Collection, Houston
Historical Photos  1
Related exhibitions  7
New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Cambridge (1950)

New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Cambridge. Calder. 5 December 1950–14 January 1951.

Solo Exhibition
Museu de Arte Moderna, São Paulo, Brazil (1953)

Museu de Arte Moderna, São Paulo, Brazil. II Bienal do Museu de Arte Moderna de São Paulo. 15 December 1953–28 February 1954.

Group Exhibition
Arts Council of Great Britain, Tate Gallery, London (1962)

Arts Council of Great Britain, Tate Gallery, London. Alexander Calder: Sculpture–Mobiles. 4 July–12 August 1962.

Solo Exhibition
Solomon R. Guggenheim Museum, New York (1964)

Solomon R. Guggenheim Museum, New York. Alexander Calder: A Retrospective Exhibition. 6 November 1964–31 January 1965.

Solo Exhibition
Musée National d’Art Moderne, Paris (1965)

Musée National d’Art Moderne, Paris. Calder. 8 July–15 October 1965. Originated from the Solomon R. Guggenheim Museum, New York.

Solo Exhibition
Tate Modern, London (2015)

Tate Modern, London. Alexander Calder: Performing Sculpture. 11 November 2015–3 April 2016.

Solo Exhibition
Fondation Beyeler, Riehen/Basel (2016)

Fondation Beyeler, Riehen/Basel. Alexander Calder & Fischli/Weiss. 29 May–4 September 2016.

Group Exhibition
Works / Wire Sculpture 76
Related Timeline
1926–1930 Wire Sculpture and the Circus

Soon after moving to Paris in 1926, Calder created his Cirque Calder. Made of wire and a spectrum of found materials, the Cirque was a work of performance art that gained Calder an introduction to the Parisian avant-garde. He continued to explore his invention of wire sculpture, whereby he “drew” with wire in three dimensions the portraits of friends, animals, circus themes, and personalities of the day.