Calder Foundation

Archive

Life period
1937–1945

Type
All

See highlights from 1937–1945 on the timeline Public Commissions and the War


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Historical Photos 189
Mobile, Aluminum Leaves, Red Post, Un effet du japonais, Giraffe, and The Great Yucca, Roxbury studio, 1941
Photograph by Herbert Matter
Apple Monster (1938), Tadpole (maquette, c. 1936), Yucca (center rear), Black Beast (maquette, 1939), Myrtle Burl, and Yucca (right rear), Roxbury studio, 1941
Photograph by Herbert Matter
Roxbury studio (1941)
The Great Yucca, Uprooted Whip (1940), and Yucca, Roxbury studio, 1941Photograph by Herbert Matter © Calder Foundation, New York
The Great Yucca, Uprooted Whip (1940), and Yucca, Roxbury studio, 1941
Photograph by Herbert Matter
Roxbury studio (1941)
Roxbury studio, 1941Photograph by Herbert Matter © Calder Foundation, New York
Roxbury studio, 1941
Photograph by Herbert Matter
Roxbury studio (1941)
Roxbury studio, 1941Photograph by Herbert Matter © Calder Foundation, New York
Roxbury studio, 1941
Photograph by Herbert Matter
Calder with Giraffe (1941)
Calder with Giraffe, Roxbury, 1941Photograph by Herbert Matter © Calder Foundation, New York
Calder with Giraffe, Roxbury, 1941
Photograph by Herbert Matter
Roxbury grounds and studio (1941)
Roxbury grounds and studio, 1941Photograph by Herbert Matter © Calder Foundation, New York
Roxbury grounds and studio, 1941
Photograph by Herbert Matter
Aluminum Leaves, Red Post (1941)
Aluminum Leaves, Red Post, Roxbury, 1941Photograph by Herbert Matter © Calder Foundation, New York
Aluminum Leaves, Red Post, Roxbury, 1941
Photograph by Herbert Matter
Uprooted Whip (1941)
Uprooted Whip (1940), Roxbury, 1941Photograph by Herbert Matter © Calder Foundation, New York
Uprooted Whip (1940), Roxbury, 1941
Photograph by Herbert Matter
Un effet du japonais (1941)
Un effet du japonais, Roxbury, 1941Photograph by Herbert Matter © Calder Foundation, New York
Un effet du japonais, Roxbury, 1941
Photograph by Herbert Matter
Red Petals (1942)
Red Petals, Arts Club of Chicago, 1942Photograph by Frederick O. Bemm
Red Petals, Arts Club of Chicago, 1942Photograph by Frederick O. Bemm
Lion Tamer (1943)
Lion Tamer and Lion from Cirque Calder (1926–31), 1943Photograph by Herbert Matter © Calder Foundation, New York
Lion Tamer and Lion from Cirque Calder (1926–31), 1943
Photograph by Herbert Matter
Louisa Calder’s dressing bureau, with jewelry made by Calder, and André Masson’s poem, The Studio of Alexander Calder, Roxbury house bedroom, 1943
Photograph by Herbert Matter
Constellation with Quadrilateral (1943)
Constellation with Quadrilateral, 1943Photograph by Herbert Matter © Calder Foundation, New York
Constellation with Quadrilateral, 1943
Photograph by Herbert Matter
Easter Hat (1943)
Untitled and Easter Hat, 1943Photograph by Herbert Matter © Calder Foundation, New York
Untitled and Easter Hat, 1943
Photograph by Herbert Matter
Tightrope (1943)
Tightrope (1936), c. 1943Photograph by Herbert Matter © Calder Foundation, New York
Tightrope (1936), c. 1943
Photograph by Herbert Matter
The White Frame (1943)
The White Frame (1934) frozen, 1943Photograph by Herbert Matter © Calder Foundation, New York
The White Frame (1934) frozen, 1943
Photograph by Herbert Matter
The White Frame (1943)
The White Frame (1934) set in motion, 1943Photograph by Herbert Matter © Calder Foundation, New York
The White Frame (1934) set in motion, 1943
Photograph by Herbert Matter
Black Flower (1943)
Black Flower (1940), 1943Photograph by Soichi Sunami © Museum of Modern Art, Soichi Sunami
Black Flower (1940), 1943
Photograph by Soichi Sunami
Vertical Constellation with Bomb (1943)
Vertical Constellation with Bomb, 1943Photograph by Herbert Matter © Calder Foundation, New York
Vertical Constellation with Bomb, 1943
Photograph by Herbert Matter
Constellation with Sundial (1943)
Constellation with Sundial, 1943Photograph by Herbert Matter © Calder Foundation, New York
Constellation with Sundial, 1943
Photograph by Herbert Matter
Constellation Mobile (1943)
Constellation Mobile, 1943Photograph by Herbert Matter © Calder Foundation, New York
Constellation Mobile, 1943
Photograph by Herbert Matter
Wall Constellation with Row of Objects (1943)
Wall Constellation with Row of Objects, 1943Photograph by Herbert Matter © Calder Foundation, New York
Wall Constellation with Row of Objects, 1943
Photograph by Herbert Matter
Wooden Bottle with Hairs (1943)
Wooden Bottle with Hairs, 1943Photograph by Herbert Matter © Calder Foundation, New York
Wooden Bottle with Hairs, 1943
Photograph by Herbert Matter
Constellation (1943)
Constellation, 1943Photograph by Herbert Matter © Calder Foundation, New York
Constellation, 1943
Photograph by Herbert Matter
Untitled (1943)
Untitled, 1943Photograph by Herbert Matter © Calder Foundation, New York
Untitled, 1943
Photograph by Herbert Matter
Wall Constellation with Red Object (1943)
Wall Constellation with Red Object, 1943Photograph by Herbert Matter © Calder Foundation, New York
Wall Constellation with Red Object, 1943
Photograph by Herbert Matter
Constellation (1943)
Constellation, 1943Photograph by Herbert Matter © Calder Foundation, New York
Constellation, 1943
Photograph by Herbert Matter
Constellation with Bottles (1943)
Constellation with Bottles, 1943Photograph by Herbert Matter © Calder Foundation, New York
Constellation with Bottles, 1943
Photograph by Herbert Matter
Vertical Constellation with Yellow Bone (1943)
Vertical Constellation with Yellow Bone, 1943Photograph by Herbert Matter © Calder Foundation, New York
Vertical Constellation with Yellow Bone, 1943
Photograph by Herbert Matter
Vertical Constellation with Yellow Bone (1943)
Vertical Constellation with Yellow Bone, 1943Photograph by Herbert Matter © Calder Foundation, New York
Vertical Constellation with Yellow Bone, 1943
Photograph by Herbert Matter
Constellation with Bishop (1943)
Constellation with Bishop, 1943Photograph by Herbert Matter © Calder Foundation, New York
Constellation with Bishop, 1943
Photograph by Herbert Matter
Cirque Calder (1943)
Lion Tamer act from Cirque Calder (1926–31), 1943Photograph by Herbert Matter © Calder Foundation, New York
Lion Tamer act from Cirque Calder (1926–31), 1943
Photograph by Herbert Matter
Cirque Calder (1943)
Calder with the Chariot Race and Lion Tamer acts from Cirque Calder (1926–31), 1943Photograph by Herbert Matter © Calder Foundation, New York
Calder with the Chariot Race and Lion Tamer acts from Cirque Calder (1926–31), 1943
Photograph by Herbert Matter
Steer (1943)
Steer from the Cowboy act from Cirque Calder (1926–31), 1943Photograph by Herbert Matter © Calder Foundation, New York
Steer from the Cowboy act from Cirque Calder (1926–31), 1943
Photograph by Herbert Matter
Sword Swallower (1943)
Sword Swallower from the Sword Swallower act from Cirque Calder (1926–31), 1943Photograph by Herbert Matter © Calder Foundation, New York
Sword Swallower from the Sword Swallower act from Cirque Calder (1926–31), 1943
Photograph by Herbert Matter
Acrobat (1943)
Acrobat from the Tumblers act from Cirque Calder (1926–31), 1943Photograph by Herbert Matter © Calder Foundation, New York
Acrobat from the Tumblers act from Cirque Calder (1926–31), 1943
Photograph by Herbert Matter
Sword Swallower (1943)
Sword Swallower from the Sword Swallower act from Cirque Calder (1926–31), 1943Photograph by Herbert Matter © Calder Foundation, New York
Sword Swallower from the Sword Swallower act from Cirque Calder (1926–31), 1943
Photograph by Herbert Matter
Cirque Calder (1943)
Tumblers act from Cirque Calder (1926–31), 1943Photograph by Herbert Matter © Calder Foundation, New York
Tumblers act from Cirque Calder (1926–31), 1943
Photograph by Herbert Matter
Fanni, the Belly Dancer (1943)
Fanni, the Belly Dancer with Monsieur Loyal from Cirque Calder (1926–31), 1943Photograph by Herbert Matter © Calder Foundation, New York
Fanni, the Belly Dancer with Monsieur Loyal from Cirque Calder (1926–31), 1943
Photograph by Herbert Matter
Monsieur Loyal (1943)
Trapeze act with Monsieur Loyal from Cirque Calder (1926–31), 1943Photograph by Herbert Matter © Calder Foundation, New York
Trapeze act with Monsieur Loyal from Cirque Calder (1926–31), 1943
Photograph by Herbert Matter
Horse (1943)
Horse from the Equestrian act from Cirque Calder (1926–31), 1943Photograph by Herbert Matter © Calder Foundation, New York
Horse from the Equestrian act from Cirque Calder (1926–31), 1943
Photograph by Herbert Matter
Cow (1943)
Cow from the Sideshow act from Cirque Calder (1926–31), 1943Photograph by Herbert Matter © Calder Foundation, New York
Cow from the Sideshow act from Cirque Calder (1926–31), 1943
Photograph by Herbert Matter
Pegasus (1943)
Pegasus, Negress, and Dog from Cirque Calder (1926–31), 1943Photograph by Herbert Matter © Calder Foundation, New York
Pegasus, Negress, and Dog from Cirque Calder (1926–31), 1943
Photograph by Herbert Matter
Calder jewelry (c. 1930–40) (1943)
Calder jewelry (c. 1930–40), 1943Photograph by Herbert Matter © Calder Foundation, New York
Calder jewelry (c. 1930–40), 1943
Photograph by Herbert Matter
Calder jewelry (c. 1930–40) (1943)
Calder jewelry (c. 1930–40), 1943Photograph by Herbert Matter © Calder Foundation, New York
Calder jewelry (c. 1930–40), 1943
Photograph by Herbert Matter
Galloping Horse (1943)
Galloping Horse (1926), 1943Photograph by Herbert Matter © Calder Foundation, New York
Galloping Horse (1926), 1943
Photograph by Herbert Matter
Galloping Horse (1943)
Galloping Horse (1926), 1943Photograph by Herbert Matter © Calder Foundation, New York
Galloping Horse (1926), 1943
Photograph by Herbert Matter
Galloping Horse (1943)
Galloping Horse (1926), 1943Photograph by Herbert Matter © Calder Foundation, New York
Galloping Horse (1926), 1943
Photograph by Herbert Matter
Galloping Horse (1943)
Galloping Horse (1926), 1943Photograph by Herbert Matter © Calder Foundation, New York
Galloping Horse (1926), 1943
Photograph by Herbert Matter
Galloping Horse (1943)
Galloping Horse (1926), 1943Photograph by Herbert Matter © Calder Foundation, New York
Galloping Horse (1926), 1943
Photograph by Herbert Matter
The Circle (1943)
The Circle (1934), 1943Photograph by Herbert Matter © Calder Foundation, New York
The Circle (1934), 1943
Photograph by Herbert Matter
The White Frame (1943)
The White Frame (1934) set in motionPhotograph by Herbert Matter © Calder Foundation, New York
The White Frame (1934) set in motion
Photograph by Herbert Matter
Hourglass (1943)
Hourglass (1941), 1943Photograph by Herbert Matter © Calder Foundation, New York
Hourglass (1941), 1943
Photograph by Herbert Matter
Morning Star (1943)
Morning Star (1943), Roxbury, 1943Photograph by Herbert Matter © Calder Foundation, New York
Morning Star (1943), Roxbury, 1943
Photograph by Herbert Matter
Uncomfortable Face (1928) (1943)
Uncomfortable Face (1928), 1943Photograph by Herbert Matter © Calder Foundation, New York
Uncomfortable Face (1928), 1943
Photograph by Herbert Matter
Black Thing (1941) (1943)
Black Thing (1941), 1943Photograph by Herbert Matter © Calder Foundation, New York
Black Thing (1941), 1943
Photograph by Herbert Matter
Calder with Red Post Black Leaves at Alexander Calder: Sculptures and Constructions, The Museum of Modern Art, New York, 1943. Red Panel (1936) is in the background.
Photograph by Arnold Newman
Installation photograph, Alexander Calder: Sculptures and Constructions, The Museum of Modern Art, New York, 1943
Photograph by Soichi Sunami
Installation photograph, Alexander Calder: Sculptures and Constructions, The Museum of Modern Art, New York, 1943
Photograph by Soichi Sunami
Photograph of Praying Mantis (1936) for Alexander Calder: Sculptures and Constructions, The Museum of Modern Art, New York, 1943
Photograph by Soichi Sunami
Installation photograph, Alexander Calder: Sculptures and Constructions, The Museum of Modern Art, New York, 1943
Photograph by Soichi Sunami
Untitled (1934), Alexander Calder: Sculptures and Constructions, The Museum of Modern Art, New York, 1943
Photograph by Soichi Sunami
Installation photograph, Alexander Calder: Sculptures and Constructions, The Museum of Modern Art, New York, 1943
Photograph by Soichi Sunami
Installation photograph, Alexander Calder: Sculptures and Constructions, The Museum of Modern Art, New York, 1943
Photograph by Soichi Sunami
Installation photograph, Alexander Calder: Sculptures and Constructions, The Museum of Modern Art, New York, 1943
Photograph by Soichi Sunami
Installation photograph, Alexander Calder: Sculptures and Constructions, The Museum of Modern Art, New York, 1943
Photograph by Soichi Sunami
Installation photograph, Alexander Calder: Sculptures and Constructions, The Museum of Modern Art, New York, 1943
Photograph by Soichi Sunami
Installation photograph, Alexander Calder: Sculptures and Constructions, The Museum of Modern Art, New York, 1943
Photograph by Soichi Sunami
Opening for Alexander Calder: Sculptures and Constructions, The Museum of Modern Art, New York, September 1943. From left to right: Herbert Matter, Marianne Moore, Fernand Léger, Martha Graham, and Calder.
Photo collage of Calder inside toy car (c. 1940), Arts in Therapy, The Museum of Modern Art, New York, 1943
Photograph by Herbert Matter
Calder with Eucalyptus (1940) at Alexander Calder: Sculptures and Constructions, The Museum of Modern Art, New York, 1943
Photograph by Arnold Newman
Installation photograph, Alexander Calder: Sculptures and Constructions, The Museum of Modern Art, New York, 1943
Photograph by Soichi Sunami
Installation photograph, Alexander Calder: Sculptures and Constructions, The Museum of Modern Art, New York, 1943
Photograph by Soichi Sunami
Installation photograph, Alexander Calder: Sculptures and Constructions, The Museum of Modern Art, New York, 1943
Photograph by Soichi Sunami
Calder, Roxbury studio (1944)
Calder, Roxbury studio, 1944Photograph by Eric Schaal © Life Magazine
Calder, Roxbury studio, 1944
Photograph by Eric Schaal
Calder with Red Disc and Gong (1940) and Untitled (c. 1940), Roxbury studio, 1944
Photograph by Eric Schaal
Installation photograph, Alexander Calder: Sculptures and Constructions, The Museum of Modern Art, New York, 1943
Photograph by Soichi Sunami

Chronology 105
16 July 1945

Calder packs thirty-seven miniature mobiles and stabiles into six small cartons and mails them to Carré in Paris. Due to U.S. Postal Service regulations, he gives the name of six different senders for each package: himself, Duchamp, Masson, Sweeney, Tanguy, and Renée

(Ritou) Nitzschke.

CF, Calder to Carré, 19 July
19 July 1945

Calder proposes to Carré to have Sartre write an essay for his show. I met Jean-Paul Sartre when he was here, and he came + visited my workshop. Perhaps he would consent to write a little preface if you thought that desirable.

CF, Calder to Carré, 19 July
After 14 August 1945

Intrigued by the limitations on parcel size imposed by the U.S. Postal Service, Calder begins creating larger works for his show at Galerie Louis Carré that are collapsible and intended to be reassembled upon arrival in Paris.

CF, Calder to Carré, 14 August; Calder 1966, 188
10 September–6 October 1945

“Gay, Fantastic Gouaches by Calder” is on view at Samuel M. Kootz Gallery, New York.

CF, exhibition file
13 November–1 December 1945

Buchholz Gallery/Curt Valentin, New York, presents “Alexander Calder.”

CF, exhibition file
Illustrations for Buchholz Gallery/Curt Valentin (1945)
Illustrations of Prelude to the Man-Eater (1945), Starfish (1944), and Octopus (1944), Alexander Calder, Buchholz Gallery/Curt Valentin, New York, 1945Harvard Art Museums/Fogg Museum; Gift of Lois Orswell (no. 1996.18)
Illustrations of Prelude to the Man-Eater (1945), Starfish (1944), and Octopus (1944), Alexander Calder, Buchholz Gallery/Curt Valentin, New York, 1945Harvard Art Museums/Fogg Museum

Bibliography 210

1941

“The Art Galleries: Windup.” New Yorker (14 June 1941).

Magazine

Hellman, Geoffrey T. “Profiles: Everything is Mobile.” New Yorker, vol. 17 (4 October 1941).

Magazine

Ross, Kenneth. “Abstract ‘Art In Motion.’” (Publication unknown), 4 October 1941.

Newspaper

Jolas, Eugene, ed. Vertical: A Yearbook for Romantic-Mystic Ascensions. New York: Gotham Bookmart, 1941.

Magazine

Frankenstein, Alfred. “President Roosevelt Supplies a Market.” San Francisco Chronicle, 16 November 1941.

Newspaper

1942

Calder, Alexander. “How Can Art Be Realized?” In Art of This Century . . . 1910 to 1942, edited by Peggy Guggenheim. Exhibition catalogue. New York: Art of This Century, 1942.

Group Exhibition Catalogue

The Arts Club of Chicago. Nine American Artists. Exhibition catalogue. 1942.

Group Exhibition Catalogue

Helena Rubinstein New Art Center, New York. Masters of Abstract Art. Exhibition catalogue. 1942.

Group Exhibition Catalogue

Cincinnati Art Museum, Ohio. Paintings by Paul Klee and Mobiles and Stabiles by Alexander Calder. Exhibition catalogue. 1942.

Group Exhibition Catalogue

Coan, Ellen Stone. “The Mobiles of Alexander Calder.” Vassar Journal of Undergraduate Studies, vol. 15 (May 1942).

Magazine

Burrows, Carlyle. “Calder’s Mobiles.” New York Herald Tribune, May 1942.

Newspaper

Aufbau, May 1942.

Newspaper

McBride, Henry. New York Sun, May 1942.

Newspaper

Hughes, Joyce. “Mobiles and Stabiles.” Gotham Life (c. May–June 1942).

Magazine

Jewell, Edward Alden. “Among the Local Shows.” New York Times, 23 May 1942.

Newspaper

“Tinkling Metal.” Art Digest, vol. 16 (1 June 1942).

Magazine

J. W. L. “Calder.” Art News (June–July 1942).

Magazine

VVV Portfolio. Portfolio of eleven works in various media by Calder, Breton, Carrington, Chagall, Ernst, Hare, Masson, Matta, Motherwell, Seligmann, and Tanguy. New York: VVV, 1942.

Portfolio

VVV, no. 1 (June 1942).

Magazine

Dyn, vol. 1, no. 3 (Fall 1942).

Magazine

Coordinating Council of French Relief Societies, Whitelaw Reid Mansion, New York. First Papers of Surrealism. Exhibition catalogue. 1942.

Group Exhibition Catalogue

Whitney Museum of American Art, New York. Annual Exhibition of Contemporary Art. Exhibition catalogue. 1942.

Group Exhibition Catalogue

The Metropolitan Museum of Art, New York. Artists for Victory: An Exhibition of Contemporary American Art. Exhibition catalogue. 1942.

Group Exhibition Catalogue

The Metropolitan Museum of Art, New York. Artists for Victory: An Exhibition of Contemporary American Art; A Picture Book of the Prize Winners. Exhibition catalogue. 1942.

Group Exhibition Catalogue

“Living Art.” A radio interview with exhibition prizewinners Alexander Calder, Philip Evergood, and Jose de Creeft at the Metropolitan Museum of Art, Artists for Victory, aired by WABC Radio on 8 December 1942.

Unpublished Document or Manuscript

Masson, André. “L’Atelier d’Alexander Calder.” Handwritten poem, 1942. Calder Foundation, New York.

Unpublished Document or Manuscript

1943

Calder, Alexander. “À Propos of Measuring a Mobile.” Manuscript, 1943. Agnes Rindge Claflin papers concerning Alexander Calder, 1936-circa 1970s. Archives of American Art, Smithsonian Institution.

Unpublished Document or Manuscript

Morris, George L. K. “Relations of Painting and Sculpture.” Partisan Review (January–February 1943).

Magazine

“Modern Decor.” (Publication unknown), 1943.

Magazine

“Children’s page.” View, vol. 3, no. 1 (April 1943).

Magazine

McBride, Henry. New York Sun, 21 May 1943.

Newspaper

“Surrealist Artists Show Similar Trend.” New York World-Telegram, 22 May 1943.

Newspaper

“Tanguy and Calder.” New York Herald Tribune, 23 May 1943.

Newspaper

Devree, Howard. “From a Reviewer’s Notebook.” New York Times, 23 May 1943.

Newspaper

Addison Gallery of American Art, Andover, Massachusetts. 17 Mobiles by Alexander Calder. Exhibition catalogue. 1943.

Alexander Calder, Statement

Solo Exhibition Catalogue

Coates, Robert M. “Calder.” New Yorker (29 May 1943).

Magazine

Adlow, Dorothy. “Painting And Mobiles On Display.” Christian Science Monitor, 14 June 1943.

Newspaper

The Museum of Modern Art, New York. Alexander Calder. Exhibition catalogue. 1943. Text by James Johnson Sweeney. Revised, enlarged, and issued as a monograph in 1951.

Solo Exhibition Catalogue

Jewell, Edward Alden. “Calder Sculpture on Display Today.” New York Times, 29 September 1943.

Newspaper

R., M. “Modern Opens Retrospective Show of Calder’s Light-Hearted Art.” Art Digest, vol. 18, no. 1 (1 October 1943).

Magazine

“Popular Art and Esoteric: Exhibitions of the Week Offer Wide Variety.” New York Sun, 1 October 1943.

Newspaper

Genauer, Emily. “Calder’s Mobiles and Other Shows of the Week.” New York World-Telegram, 2 October 1943.

Newspaper

Burrows, Carlyle. “The Calder Exhibition.” New York Herald Tribune, 3 October 1943.

Newspaper

Jewell, Edward Alden. “Calder in Retrospect.” New York Times, 3 October 1943.

Newspaper

McCausland, Elizabeth. “Alexander Calder at The Museum of Modern Art.” Springfield Sunday Union and Republican, 3 October 1943.

Newspaper

Riley, Maude Kemper. “Art Exhibitions.” Cue, vol. 12, no. 41 (9 October 1943).

Magazine

Coates, Robert M. “The Art Galleries: Alexander Calder and Some Others.” New Yorker (9 October 1943).

Magazine

“Calder’s Circus.” Newsweek, vol. 22, no. 15 (11 October 1943).

Magazine

“Unusual Exhibit By Alexander Calder.” The Villager, 11 October 1943.

Newspaper

Bindol, Ben. “Art Events.” Aufbau, 15 October 1943.

Newspaper

“At the Museum of Modern Art.” Daily Worker, 16 October 1943.

Newspaper

Tiers, Mary Lowber. “Down Mobile Way.” Cue, vol. 12, no. 42 (16 October 1943).

Magazine

Rogers, W. G. “Sculptor Works with Metals.” San Pedro News-Pilot, 18 October 1943.

Newspaper

Dreifuss, Jerome. “His Queer Metal Shapes Baffle Most Art Patrons.” Huntingdon News, 21 October 1943.

Newspaper

Greenberg, Clement. “Alexander Calder: Sculpture, Constructions, Jewelry, Toys, and Drawings.” The Nation, no. 157 (23 October 1943).

Magazine

Fordell, Hanson, and Francis T. Howe. “Squirrel Cage Art.” Cue (23 October 1943).

Magazine

McBride, Henry. “The Age of Metal.” New York Sun, 29 October 1943.

Newspaper

“A Connecticut Constructivist Sets a Challenge.” Interiors, vol. 103, no. 4 (November 1943).

Magazine

Frost, Rosamund. “Calder Grown Up: A Museum-Size Show.” Art News, vol. 42, no. 12 (1–14 November 1943).

Magazine

“American sculptor of this age.” Design, vol. 45 (November 1943).

Magazine

Whitney Museum of American Art, New York. Annual Exhibition of Contemporary American Art. Exhibition catalogue. 1943.

Group Exhibition Catalogue

Brine, Paul F. “Dead or Alive?” Tomorrow (December 1943).

Magazine

Woodbury, Clarence. “Where Art Meets.” Cue (5 December 1943).

Magazine

“Modern Design.” New York Times Magazine (12 December 1943).

Magazine

McBride, Henry. “Seurat and Calder: Two Artists Much Loved by Their Biographers.” New York Sun, 31 December 1943.

Newspaper

1944

Sweeney, James Johnson. “El Humor de Alexander Calder, Le Imprime Gracia y Fantasia a su Arte.” Norte, vol. 4, no. 3 (January 1944).

Magazine

“Alexander Calder.” Architectural Forum, vol. 80, no. 1 (January 1944).

Magazine

Alexander Calder: Sculpture and Constructions (1944). Produced by the Museum of Modern Art, New York. 16mm, color, sound (English); 10 min. Written and narrated by Agnes Rindge Claflin; cinematography by Herbert Matter; filmed and recorded by Hartley Productions.

Film

Sweeney, James Johnson, ed. Three Young Rats and Other Rhymes. New York: Curt Valentin, 1944.

Illustrated Book

The Museum of Modern Art, New York. Modern Drawings. Exhibition catalogue. 1944.

Group Exhibition Catalogue

View, vol. 4, no. 1 (March 1944).

Magazine

Sweeney, James Johnson. “The Position of Alexander Calder.” Magazine of Art, vol. 37, no. 5 (May 1944).

Magazine

The Renaissance Society at The University of Chicago. Drawings by Contemporary Artists. Exhibition catalogue. 1944.

Group Exhibition Catalogue

The Museum of Modern Art, New York. Art in Progress: The Fifteenth Anniversary of the Museum of Modern Art. Exhibition catalogue. 1944. Texts by James Thrall Soby, Alfred H. Barr, Jr., Nancy Newhall, George Amberg, Iris Barry, Elizabeth Mock, Serge Chermayeff, Rene D’Harnoncourt, Monroe Wheeler, Elodie Courter, and Victor D’Amico.

Group Exhibition Catalogue

“Nursery Rhymes” (excerpts from Three Young Rats and Other Rhymes). Harper’s Bazaar (July 1944).

Magazine

“Talent’s Daughters.” Harper’s Bazaar (July 1944).

Magazine

San Francisco Museum of Art. Abstract and Surrealist Art in the United States. Exhibition catalogue. 1944.

Group Exhibition Catalogue

View, vol. 4, no. 3 (October 1944).

Magazine

“Speaking of Pictures.” Life, vol. 17, no. 14 (2 October 1944).

Magazine

Dyn, vol. 1, no. 6 (Fall 1944).

Magazine

Buchholz Gallery/Curt Valentin, New York. Recent Work by Alexander Calder. Exhibition catalogue. 1944.

Solo Exhibition Catalogue

View, series VI, no. 4 (December 1944).

Magazine

Pedrosa, Mario. “Alexandre Calder, Escultor de Cata-Ventos.” Correio da Manhã, 10 December 1944.

Newspaper

“The Year in Art: A Review of 1944: Including Art News’ Selection of the Ten Outstanding One Man Shows.” Art News (15–31 December 1944).

Magazine

Pedrosa, Mario. “Alexandre Calder, O Escultor de Cata-Ventos, Part II.” Correio da Manhã, 17 December 1944.

Newspaper

Motherwell, Robert. “Calder’s ‘Three Young Rats.’” The New Republic (25 December 1944).

Magazine

1945

Buffet, Gabrielle. “Sandy Calder, forgeron lunaire.” Cahiers d’Art, nos. 20–21 (1945–46).

Magazine

“Bulletin.” Munson Williams Proctor Institute (c. 1945).

Magazine

Art News (September 1945).

Magazine

Whitney Museum of American Art, New York. Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings. Exhibition catalogue. 1945.

Group Exhibition Catalogue

Buchholz Gallery/Curt Valentin, New York. Recent Work by American Sculptors. Exhibition catalogue. 1945.

Group Exhibition Catalogue

Young, Margaret. “Man the Accident, the Anomaly.” New York Times, 11 February 1945.

Newspaper

Kraus, Felix H. “The Easel: Modern Art. 1945: Alexander Calder.” Tricolor, vol. 111, no. 13 (April 1945).

Magazine

Berkshire Museum, Pittsfield, Massachusetts. Painting and Sculpture by Outstanding Berkshire Artists. Exhibition catalogue. 1945.

Group Exhibition Catalogue

Bear, Donald. “Contemporary Sculpture Shows Widely Divergent Viewpoints in Art Museum.” Santa Barbara News-Press, 5 August 1945.

Newspaper

Mindlin, Henrique. “Alexander Calder.” Enba, no. 3 (September 1945).

Magazine

“Calder in Gouaches.” Art Digest, vol. 19 (15 September 1945).

Magazine

The New York Sun, 15 September 1945.

Newspaper

New York World-Telegram, 15 September 1945.

Newspaper

Devree, Howard. “By Ones and By Groups.” New York Times, 16 September 1945.

Newspaper
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