Calder Foundation

Archive

Life period
1963–1976

Type
All

See highlights from 1963–1976 on the timeline Monumental Works


Works
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Exhibitions 242

Historical Photos 132
Calder and Joan Miró with Cactus provisoire (1967) and Les Triangles (1963) outside Calder, Fondation Maeght, Saint-Paul-de-Vence, France, 1969
Photograph by Ugo Mulas
Stegosaurus (1973)
Stegosaurus, Hartford, Connecticut, 1973Photograph by David Robbins
Stegosaurus, Hartford, Connecticut, 1973Photograph by David Robbins
Calder and Jean Lipman at the installation of Cirque Calder, Whitney Museum of American Art, New York, 1975
Photograph by Pedro Guerrero
Installation of Jerusalem Stabile II, Jerusalem, 1976
Photograph by R. Milon
Louisa Calder in the new Saché house (1976)

Louisa Calder, Le Carroi house, Saché, 1976

Photograph by Pedro Guerrero © Pedro Guerrero

Louisa Calder, Le Carroi house, Saché, 1976

Photograph by Pedro Guerrero
Anjelica Huston wearing The Jealous Husband (1976)
Anjelica Huston wearing The Jealous Husband (c. 1940), 1976Photograph by Evelyn Hofer © Evelyn Hofer, New York
Anjelica Huston wearing The Jealous Husband (c. 1940), 1976
Photograph by Evelyn Hofer
Calder and Georgia O’Keeffe at a dinner in Calder’s honor, Whitney Museum of American Art, New York, 1976
Photograph by Abner Symons
Calder and Louisa Calder seated at a table at the Whitney Museum of American Art, New York, during the exhibition Calder’s Universe, 1976
Photograph by Henry Grossman

Chronology 150
31 May 1972

The Calders sponsor an ad in the New York Times calling for Richard Nixon’s impeachment: Upon the Impeachment of Richard Nixon, for high crimes and misdemeanors, the Constitution of the United States, provides that he, among others shall be removed from office . . .

for conviction of, treason, bribery, or other high crimes and misdemeanors.

New York Times, 31 May
14 June–20 August 1972

The Museum of Fine Arts, Houston, presents “A Child’s Summer with Calder and Miró.”

CF, exhibition file
September–October 1972

Sala Pelaires, Palma de Mallorca, presents “Calder.” Miró writes a poem for the catalogue.

CF, exhibition file
10 October–11 November 1972

Perls Galleries, New York, exhibits “Alexander Calder: Oil Paintings.”

CF, exhibition file
15–30 November 1972

Fuji Television Gallery Co., Ltd., Tokyo, presents “Calder / Miró.”

CF, exhibition file
December 1972–January 1973

Galerie Beyeler, Basel, presents “Miró / Calder.”

CF, exhibition file

1973

1973

Calder gives the Mercury Fountain to the Fundació Joan Miró, Barcelona. The museum was designed by Sert. The fountain is installed in June 1975.

CF, project file
1973

Calder donates a lithograph, Balloons, to the Nicaragua Earthquake Relief, organized to aid the victims of the earthquake in Managua.

CF, project file
24 January–24 February 1973

Galerie Maeght, Paris, exhibits “Calder: Recent Mobiles.” The catalogue text includes “Retour au mobile” by Maurice Besset and “Calder ou le poids de l’air” by André Balthazar, with cover and illustrations by Calder.

CF, exhibition file
24 May–July 1973

Galerie Maeght, Zurich, exhibits “Alexander Calder: Retrospektive.” C. Giedion-Welcker writes the introduction for the catalogue.

CF, exhibition file
4 June 1973

The Board of Trustees of the National Gallery of Art commissions Calder to make a monumental sculpture for its new building. The mobile, designed specifically for the central court of the National Gallery’s East Building, is completed and installed after Calder’s death in

1976.

CF, project file
3 October–3 November 1973

Perls Galleries, New York, exhibits “Calder at 75–Works in Progress.”

CF, exhibition file
10 October 1973

Calder attends the dedication ceremony for the monumental stabile Stegosaurus at the Alfred E. Burr Memorial Mall in Hartford. Following the event, he receives an honorary Doctor of Fine Arts from the University of Hartford.

CF, project file
30 October–2 November 1973

Calder’s commission from Braniff International Airlines, the DC-8 jet Flying Colors, makes its inaugural flight from Dallas with stops in Los Angeles, Chicago, Washington, D.C., Miami, and Latin America. Calder had painted parts of the jet directly on the plane.

Lipman 1976, 339

1974

1974

The film Gouaches de Calder, directed by Carlos Vilardebó, is released.

CF, project file
February 1974

Calder accepts the Commandeur de la Légion d’Honneur of France; Michel Debré, the former French premier, presents the award.

CF, awards file
24 June 1974

Calder is named Citoyen d’Honneur de la Commune by the Mayor of Saché.

CF, awards file
July 1974

Calder donates the monumental sculpture Totem-Saché, installed in the main square of the town of Saché.

Lipman 1976, 339
15 October–16 November 1974

Perls Galleries, New York, exhibits “Alexander Calder: Crags and Critters of 1974.”

CF, exhibition file
Alexander Calder: Crags and Critters of 1974 (1974)
Installation photograph, Alexander Calder: Crags and Critters of 1974, Perls Galleries, New York, 1974
Installation photograph, Alexander Calder: Crags and Critters of 1974, Perls Galleries, New York, 1974
25 October 1974

The festival “Alexander Calder Day” in Chicago includes a circus parade with the Schlitz forty-horse hitch and the dedications of the motorized Universe at the Sears Tower and the monumental stabile Flamingo at the Federal Center Plaza.

CF, project file
Flamingo (1973)
Flamingo (1973), Chicago, c. 1973
Flamingo (1973), Chicago, c. 1973
18 December 1974

Calder receives the Grand Prix National des Arts et des Lettres from the French Minister of Culture Michel Guy.

CF, awards file

1975

1975

French auctioneer and racecar driver Hervé Poulain commissions Calder to design the first-ever B.M.W. Art Car.

CF, object file
Calder in front of Art Car––B.M.W. 3.0 CSL (1975)
Calder in front of Art Car—B.M.W. 3.0 CSL with Hervé Poulain, Jean Marie Curien, Jean Louis Maesen, and Jochen Neerpasch, Saché, 1975Photograph by Jean-Marie Bottequin
Calder in front of Art Car—B.M.W. 3.0 CSL with Hervé Poulain, Jean Marie Curien, Jean Louis Maesen, and Jochen Neerpasch, Saché, 1975Photograph by Jean-Marie Bottequin
7 January–15 February 1975

Hooks-Epstein Galleries, Houston, presents “Calder and Miró: Works on Paper 1957–1974.”

CF, exhibition file
22 January–23 February 1975

“Calder: Crags and Critters” is presented at Galerie Maeght, Paris. The catalogue text includes the essay “Un tournant chez Calder” by Mario Pedrosa; cover and illustrations by Calder. The exhibition travels to Galerie Maeght, Zurich.

CF, exhibition file
11–18 April 1975

The Calders visit Israel to discuss a monumental sculpture project with the Mayor of Jerusalem, Teddy Kollek. Jerusalem Stabile II is completed in 1976 and Louisa attends the dedication ceremony in 1977.

New York Times, 12 May; CF, project file
10 May–13 July 1975

Haus der Kunst, Munich, exhibits “Calder,” a retrospective. The catalogue includes the essay “Entstehung des Mobile” by Maurice Besset.

CF, exhibition file
15 May 1975

The Calders, Marcel Breuer, and others who worked on the UNESCO building in Paris protest UNESCO’s expulsion of Israel in a New York Times ad: We artists who are citizens of the world urge the General Conference to reverse itself and end all sanctions against Israel, and let

the building we created be saved as a vision of hope, not as a symbol of tragedy.

New York Times, 15 May
29 May–1 June 1975

Flying Colors is exhibited at the Thirty-first Paris Air Show; on 31 May, the plane is flown over France with the Calders and their guests aboard. Calder hand paints the plane’s engine covers.

Lipman 1976, 340
14 and 15 June 1975

Calder attends the Le Mans 24-Hour race, where his Art Car—B.M.W. 3.0 CSL is driven by Poulain, Jean Guichet, and Sam Posey.

CF, object file
22 August 1975

Calder celebrates his birthday with a large party at Le Carroi. Every reveller is given a small gouache.

CF, ASCR correspondence, 22 July 2018
September–October 1975

Galerie Maeght, Zurich, exhibits “Calder: Crags and Critters.”

CF, exhibition file
14 October–15 November 1975

Perls Galleries, New York, exhibits “Alexander Calder: Recent Mobiles and Circus Gouaches.”

CF, exhibition file
14 November 1975

Calder is awarded the United Nations Peace Medal, and Louisa Calder receives the Woman of the Year Award from the World Federation of the United Nations Associations.

CF, awards file
17 November 1975

Commissioned again by Braniff Airlines, Calder designs Flying Colors of the United States for the flagship of the airline’s United States fleet. The plane is dedicated by Betty Ford at Dulles International Airport, Washington, D.C. Calder flies back to Kennedy Airport, New York, where he is

presented with the Bicentennial Medal of New York City. As with Flying Colors, Calder had painted parts of the jet directly on the plane.

Preview, 25 November

1976

22 March 1976

Calder and Louisa attend a luncheon at the Élysée Palace, Paris, with Vice President Nelson Rockefeller and President of France Valéry Giscard d’Estaing.

CF, event file
19 April 1976

Miró invites Calder to the opening of the Fundació Joan Miró in Barcelona. Miró proposes to exchange a painting for Calder’s large outdoor stabile, Quatre ailes, which he would like for Calder to donate to the Fundació Joan Miró. Calder agrees.

CF, Miró to Calder, 19 April
Before 28 May 1976

The Kröller-Müller Museum, Otterlo, commissions Calder to design a monumental scupture for their garden.

CF, Oxenaar to Calder, 28 May
18 June 1976

Calder and Louisa attend the opening of Fundació Joan Miró, Barcelona.

FJM
29 June 1976

Calder and Louisa travel to Otterlo for the Kröller-Müller museum commission. The project for which Calder creates a maquette, is never executed.

CF, Oxenaar to Calder, 28 May; CF, Calder to Oxenaar, 23 June
Before 4 July 1976

Calder and Louisa return to Saché from Otterlo.

CF, Louisa to Oxenaar, 4 July
August 1976

Calder and Louisa visit the Colombe d’Or in Saint-Paul-de-Vence. Calder presents a gouache to Madame Yvonne Roux, who runs Colombe d’Or with her husband, Francis.

CF, object file
1–10 October 1976

The Greater Philadelphia Cultural Alliance organizes the “Alexander Calder Festival.” The event includes the dedication of White Cascade on 7 October at the Federal Reserve Bank, and the premiere of Under the Sun, a dance tribute to Calder performed by the Pennsylvania

Ballet. During the weeklong celebration, Calder receives an honorary degree from the University of Pennsylvania.

CF, awards file
12 October–13 November 1976

Perls Galleries, New York, exhibits “Alexander Calder: Works on Paper 1925–1976.”

CF, exhibition file
14 October 1976–6 February 1977

The Whitney Museum of American Art, New York, with Jean Lipman as curator, exhibits “Calder’s Universe,” a major retrospective. The exhibition travels to fifteen cities throughout the United States and Japan.

CF, exhibition file
Calder’s Universe (1976)
Opening reception for Calder's Universe, Whitney Museum of American Art, New York, 1976Photograph by Waintrob-Budd
Opening reception for Calder's Universe, Whitney Museum of American Art, New York, 1976Photograph by Waintrob-Budd
20 October 1976

Calder is honored at a dinner at the Whitney Museum of American Art. Attending are sixty guests, including Georgia O’Keeffe, André Kertész, Arthur Miller, Louise Nevelson, Marcel Breuer, John Cage, Merce Cunningham, Virgil Thomson, Robert Penn Warren, and Philip

Johnson.

New York Times, 21 October
Calder and Georgia O’Keeffe at a dinner in Calder’s honor (1976)
Calder and Georgia O'Keeffe at a dinner in Calder's honor, Whitney Museum of American Art, New York, 1976Photograph by Abner Symons © Women's Wear Daily
Calder and Georgia O'Keeffe at a dinner in Calder's honor, Whitney Museum of American Art, New York, 1976Photograph by Abner Symons
Before November 1976

President Gerald Ford offers the Medal of Freedom to Calder. Calder replies, I was pleased to receive your invitation last week, but felt I could not accept in a case where my acceptance would imply my accord with the harsh treatment meted out to conscientious objectors and

deserters. As from the start I was against the war and now am working with “amnesty” I didn’t feel I could come to Washington. When there will be more justice for these men I will feel differingly [sic]. Ford posthumously awards Calder the Medal of Freedom. Louisa Calder declines to attend the ceremony: Freedom should lead to amnesty after all these years and it doesn’t seem as though it were going to happen. Freedom means freedom for all.

CF, Calder to Ford, c. 20 October; CF, telegram, Louisa to Ford, 4 January 1977
10 November 1976

Calder returns with Louisa to New York from Washington, D.C., where he has finalized the details for Mountains and Clouds, a monumental stabile and mobile for the Hart Senate Building, Washington, D.C.

CF, object file
11 November 1976

Calder dies in New York City at the home of his daughter Mary.

New York Times, 12 November
1 December 1976–8 January 1977

Galerie Maeght, Paris, exhibits “Calder: Mobiles and Stabiles.” The catalogue includes the essay “L’art et la comédie” by Jean Frémon and “Forme Humaine” by Jean Davidson, with cover and illustrations by Calder.

CF, exhibition file
6 December 1976

The Whitney Museum of American Art holds a memorial service. Officiating is director Tom Armstrong, with remarks by Sweeney, Saul Steinberg, cartoonist Robert Osborn, and Arthur Miller, and with a solo violin performance by Alexander Schneider.

CF, event file

Bibliography 632

1965

Article on Sir Herbert Read’s collection at Stonegrave House. (Publication unknown), c. 1965.

Magazine

“Alexander Calder.” Art Students League Catalogue (1965–1966).

Magazine

New Yorker (7 January 1965).

Magazine

New York/Sunday Herald Tribune Magazine (10 January 1965).

Magazine

Price, Stanley. “The Mrs. Guggenheim Collection.” New York Times Magazine (17 January 1965).

Magazine

“Calder Exhibit to Travel.” The Jewish World (February 1965).

Magazine

The Exchange (February 1965).

Magazine

Olson, Clarence E. “Calder’s Cluttered Studio.” Pictures (St. Louis Post-Dispatch, 21 February 1965).

Magazine

Lemon, Richard. “Mobiles: The Soaring Art of Alexander Calder.” Saturday Evening Post, no. 4 (27 February 1965).

Magazine

Anderson, Wayne V. “Calder at the Guggenheim.” Artforum, vol. 3, no. 6 (March 1965).

Magazine

“Swinging Art of Alexander Calder.” Weekend Magazine, no. 16 (1965).

Magazine

Howard, Jane. “Close Up–Mobile Maker’s Giddy Whirl.” Life, vol. 58, no. 9 (5 March 1965).

Magazine

Getlein, Frank. “Calder the Pioneer.” The New Republic, vol. 152, no. 13 (27 March 1965).

Magazine

Shoudy, William A. “Man of Mobiles.” The Stevens Indicator (April 1965).

Magazine

Witkin, Richard. “Morris Rejects Work By Calder.” New York Times, 6 April 1965.

Newspaper

Glueck, Grace. “What Happened? Nothing.” New York Times, 11 April 1965.

Newspaper

Montgomery, Paul L. “Calder Work for Lincoln Center Is Said to Get Morris’s Blessing.” New York Times, 18 April 1965.

Newspaper

“Art: The Market.” Time (23 April 1965).

Magazine

Kritzwiser, Kay. “20,000 Pounds of Whirring Mobiles Out of Circus and Storybook.” The Globe and Mail, 24 April 1965.

Newspaper

Rose, Barbara. “Joy, Excitement Keynote Calder’s Work.” Canadian Art, vol. 22, no. 3 (May–June 1965).

Magazine

Art Gallery of Toronto. Mobiles and Stabiles by Calder, the Man Who Made Sculpture Move. Exhibition catalogue. 1965. Text by David Brooke.

Solo Exhibition Catalogue

“Mr. Calder’s Crab.” Houston Post, 9 May 1965.

Newspaper

Hyuga, Akiko. “Alexander Calder.” Mizue, no. 724 (June 1965).

Magazine

Huntington Galleries Thirteenth Annual Report (June 1965–June 1966).

Magazine

Annual Report: Bulletin, Philadelphia Museum of Art (Summer 1965).

Magazine

Musée National d’Art Moderne, Paris. Calder. Exhibition catalogue. 1965. Preface by Jean Cassou.

Solo Exhibition Catalogue

Brook Street Gallery, London. Vasarely / Calder. Exhibition catalogue. 1965.

Group Exhibition Catalogue

Barotte, René. “Une immense forêt qui frémit au moindre souffle.” Paris-Presse, 3 July 1965.

Newspaper

“M. Loyal au Musée.” L’Express (5–11 July 1965).

Magazine

Luz, Celina. “Movimento em Tôrno de Calder.” Jornal do Brasil, Sexta-Fiera, 6 July 1965.

Newspaper

Weelen, Guy. “Calder: génial bricoleur.” Les Lettres Francaises (8 & 16 July 1965).

Magazine

Chastel, André. “Le naturalisme de Calder.” Le Monde, 9 July 1965.

Newspaper

Ashbery, John. “Calder Retrospective Is Climax of Paris Shows.” New York Herald Tribune (Paris edition), 13 July 1965.

Newspaper

Schwartz, Paul Waldo. “Paris Greets Comprehensive Calder Show.” New York Times (International Edition), 13 July 1965.

Newspaper

Roger-Marx, Claude. “Calder, Ingenieur, Ingenieux.” Le Figaro Litteraire, 15 July 1965.

Newspaper

“Vasarely and Calder.” The Times (London), 21 July 1965.

Newspaper

Schneider, Pierre. “Calder, rossignol et éléphant.” L’Express (26 July 1965).

Magazine

Ragon, Michel. “Quatre jours avec Calder.” Arts, Numéro spécial (August 1965).

Magazine

Ragon, Michel. “L’exposition du Musée d’Art Moderne: de l’humeur à la féerie.” Arts, Numero spécial (August 1965).

Magazine

“Alexander Calder.” Moebel Interior Design (August 1965).

Magazine

“The Humanities: ‘Our lives are the substance they are made of.’” (Publication unknown), August 1965.

Magazine

Telerama (15–21 August 1965).

Magazine

Metken, Günter. “Mobiler Zauber.” Die Weltwoche, 27 August 1965.

Newspaper

Williams, Sheldon. “London Art Reacts to Space Age.” New York Herald Tribune (Paris edition), 31 August 1965.

Newspaper

“Amsterdam: Sorprese Fra Gli Alberi Del Vondelpark.” Domus (September 1965).

Magazine

“Due Case ad Ahmedabad, India.” Domus (September 1965).

Magazine

Berkson, William. “The Object: Adornment.” Craft Horizons, vol. XXV, no. 5 (September/October 1965).

Magazine

Root, Waverley. “The Greatest Living American Artist: The Picasso of Iron.” New York Journal-American, 9 September 1965.

Newspaper

Charles E. Slatkin Galleries, New York. Contemporary French Tapestries. Exhibition catalogue. 1965.

Group Exhibition Catalogue

Museum of Contemporary Crafts, New York. The Art of Personal Adornment. Exhibition catalogue. 1965.

Group Exhibition Catalogue

Russell, John. “Russia to the Louvre.” Sunday Times, 29 September 1965.

Newspaper

Restany, Pierre. “La Grande Mostra di Calder a Parigi.” Domus, no. 431 (October 1965).

Magazine

“La ‘Grande Voile’ de Calder Met Le Cap Sur L’Amérique.” La Nouvelle République, 13 October 1965.

Newspaper

Shepard, Richard F. “To See a Calder, Its Owners Have to Move.” New York Times, 29 October 1965.

Newspaper

“Dayton’s Commissions Pioneer Sculptor for Mall Project.” Minneapolis Star, 30 October 1965.

Newspaper

McConagha, Al. “Here’s the Man Behind the Mobile.” Minneapolis Tribune, 7 November 1965.

Newspaper

Glueck, Grace. “Ticket Window (Nonfunctional) is Installed at Lincoln Center.” New York Times, 12 November 1965.

Newspaper

Kempton, Murray. “Mr. Calder Laughs.” New York World-Telegram & Sun, 16 November 1965.

Newspaper

Glueck, Grace. “A ‘Knockout’ Ends Sculpture Fight.” New York Times, 16 November 1965.

Newspaper

Time (19 November 1965).

Magazine

Rotzler, Willy. “Alexander Calder.” Du-Atlantis (Zurich, December 1965).

Magazine

1966

“Roxbury Artist ‘Sculpted’ His Largest Work at MIT.” Waterbury American, 18 March 1966.

Newspaper

“Calder in Review.” Technology Review (April 1966).

Magazine

“The Big Sail.” Technology Review (April 1966).

Magazine

Sartre, Jean-Paul. “Les Mobiles de Calder.” Harvard Art Review (Spring 1966).

Magazine

Mullins, Edwin. “The Man Who Invented the Mobile.” Weekend Telegraph (15 April 1966).

Magazine

Neugass, Fritz. “Alexander Calder–Schöpfer einer heiteren Kunst.” Tages Anzeiger Zurich, 23 April 1966.

Newspaper

Brady, Fred. “Wind Won’t Rock MIT Stabile.” Boston Herald, 27 April 1966.

Newspaper

Richard Gray Gallery, Chicago. Alexander Calder. Exhibition catalogue. 1966.

Solo Exhibition Catalogue

Massachusetts Institute of Technology, Cambridge. La Grande voile. 7 May 1966.

Solo Exhibition Catalogue

Driscoll, Edgar J. “Calder Lifts Sail.” Boston Sunday Globe, 8 May 1966.

Newspaper

Haydon, Harold. “Gallery Swings With Calder.” Chicago Sun-Times, 8 May 1966.

Newspaper

“Three Generations of Sculptors: Calders’ Mark on Our City.” The Philadelphia Inquirer Magazine (8 May 1966).

Magazine

Bibb, June. “Soaring Surfaces.” Christian Science Monitor, 9 May 1966.

Newspaper

Friedlander, Alberta. “Calder’s Here.” Skyline: A Lerner Newspaper, 11 May 1966.

Newspaper

“Boiler-Plate Beauty.” Time, vol. 87, no. 19 (13 May 1966).

Magazine

Milton, Catherine. “Calder’s Nuts-and-Bolts Tour de Force.” Boston Globe Magazine (15 May 1966).

Magazine

Anderson, Don. “Calder’s Showing Is Like Life Thru a Child’s Eye.” Chicago’s American Sun, 15 May 1966.

Newspaper

“The Jolly Black Giant.” P/A News Report (June 1966).

Magazine

Milani, Milena. “A Trastevere con Sandy Calder.” Momento-Sera, 3 June 1966.

Newspaper

“Cultural Stability.” The Economist (4 June 1966).

Magazine

Galerie Jan Krugier & Cie, Geneva. Alexander Calder. Exhibition catalogue. 1966. Introduction by Giovanni Carandente.

Solo Exhibition Catalogue

Peel, Jane. “Calderama.” Weekly Tribune (17 June 1966).

Magazine

Kay, Jane M. “Sculpture on the Grass.” Christian Science Monitor, 29 June 1966.

Newspaper

“46-Ton Calder Work for Expo 67.” New York Times, 29 June 1966.

Newspaper

“Alexander Calder Exhibit Featured at Museum.” (Publication unknown), c. July 1966.

Newspaper

“Calder Exhibit To Open at Berkshire Museum Soon.” (Publication unknown), c. July 1966.

Newspaper

Wohl, Hellmut. “Calder Exhibit at Museum.” (Publication unknown), c. July 1966.

Newspaper

Irwin, Dave. “Motion and the Sorcerer’s Apprentice.” Apollo (July 1966).

Magazine

Berkshire Museum, Pittsfield, Massachusetts. Mobiles by Alexander Calder. Exhibition catalogue. 1966. Introduction by Stuart C. Henry.

Solo Exhibition Catalogue

Andreae, Christopher. Christian Science Monitor, 15 August 1966.

Newspaper

“The Big Name May Be Calder.” The Sydney Morning Herald, 25 August 1966.

Newspaper

Institute of Contemporary Arts, London. Calder–The Painter. Exhibition catalogue. 1966.

Solo Exhibition Catalogue

Russell, John. “A Whisper of Bonnard.” Sunday Times, 2 October 1966.

Newspaper

First City National Bank, Houston. Five Sculptors. Exhibition catalogue. 1966. Introduction by James Johnson Sweeney.

Group Exhibition Catalogue

“Sculptor’s No Secret Anymore.” Washington Post, 15 October 1966.

Newspaper

New York Times and World Herald Tribune (16 October & 13 November 1966).

Magazine

Centre Culturel Municipal de Toulouse, France. Calder (Le Mois USA). Exhibition catalogue. 1966. Text by Sam Hunter.

Solo Exhibition Catalogue

DeCaro, John. “Art Gallery Reviews.” Visitors East (November 1966).

Magazine

“In Brief.” New York Times Book Review, 13 November 1966.

Newspaper
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