Archive

“Drahtkunst.” Berliner Morgenzeitung, 20 April 1929.

Das Illustrierte Blatt, no. 16, 20 April 1929.

Arne, B. “Berliner Kunstbrief.” Sorauer Tageblatt, 20 April 1929.

Frejaville, Gustave. “Les Attractions de la Quinzaine: Les poupées acrobates du cirque Calder.” Comoedia, 24 April 1929.

R., A. “Kunst, Missen, Leben.” Mindener Tageblatt, 28 April 1929.

Salon des Tuileries, Paris. Exhibition catalogue. 1929.

“In the Latin Quarter.” New York Herald, 9 May 1929.

“Alexander Calder’s Startling Figures Appear Once More–Plaster Utilized Somewhat.” New York Herald, 15 May 1929.

Legrand-Chabrier. “Alexandre Calder et son cirque automate.” La Volonté, 19 May 1929.

“Entrée comique.” Carnet de la Semaine, 19 May 1929.

New York Herald (Paris edition), 21 May 1929.

Lazareff, Pierre. “Un cirque dans un couvercle de carton à chapeau!” Paris-Midi, 21 May 1929.

O., G. “Une prise de vue chez le monsieur qui fait des femmes en fil de fer.” Paris-Midi, 22 May 1929.

Chicago Tribune, 23 May 1929.

Transition, nos. 16–17 (June 1929).

Szittya, Emil. “Alexander Calder.” Kunstblatt, vol. 13 (6 June 1929).

Ramond, Edouard. “Sandy Calder ou le fil de fer devient statue.” Paris Montparnasse, no. 5 (15 June 1929).

“Le Cirque en fil de fer.” Lectures pour tous (July 1929).

Lechenperg, Harald. “Atelierfest am Montparnasse.” Illustrirte Zeitung (Leipzig edition, 29 August 1929).

Harvard Society of Contemporary Art, Cambridge, Massachusetts. An Exhibition of Painting and Sculpture by the School of New York. Exhibition catalogue. 1929.

“Wire Sculpture by Calder.” Vanity Fair (December 1929).

“Introducing the Woolworth Cow, Masterpiece of Fantastic Sculpture.” New York World-Telegram, December 1929.

Fifty-Sixth Street Galleries, New York. Alexander Calder: Paintings, Wood Sculpure, Toys, Wire Sculpture, Jewelry, Textiles. Exhibition catalogue. 1929. Text by Murdock Pemberton (excerpt from New Yorker, 23 February 1929).

Pemberton, Murdock. “Calder’s Circus.” New Yorker (7 December 1929).

“The Art Galleries: One Man and Some Wire.” New Yorker (14 December 1929).

Pemberton, Murdock. “The Art Galleries: One Man and Some Wire–From the Vanguard–A Few Selected Britons.” New Yorker (14 December 1928).

“By Way of Mention.” Top Notes (28 December 1929).

Calder, Alexander. Statement on Wire Sculpture. Manuscript, 1929. Calder Foundation, New York.

“Genius of Mechanical Toys Exhibits Model Circus Here.” New York Herald, c. 1930.

Legrand-Chabrier. “Montparnasse centre d’attractions.” La Volonté, c. 1930.

Salon de la Société des Artistes Indépendants, Paris. Exhibition catalogue. 1930.

“We Nominate for the Hall of Fame Because . . .” Vanity Fair (March 1930).

“Wire and Wood Sculptures Resemble Caricatures.” Popular Mechanics, vol. 53, no. 3 (March 1930).

Galerie G. L. Manuel Frères, Paris. 11e Salon de l’Araignée. Exhibition catalogue. 1930.

New York Herald, June 1930.

Early, Eleanor. “Made Famous by his Cuckoo Art.” The Evening Independent, 16 August 1930.

“Calder’s Mechanical Circus Stirs Left Bank’s Interest.” New York Herald, c. October 1930.

Parc des Expositions, Porte de Versailles, Paris. Association Artistique les Surindépendants. Exhibition catalogue. 1930.

Lecuyer. Ami du Peuple, 25 October 1930.

Wilms, Rosemonde R. “Au Cirque Calder.” Intransigeant, 27 October 1930.

The Museum of Modern Art, New York. Painting and Sculpture by Living Americans. Exhibition catalogue. 1930.

Dr. D. “Kunst mit Schwamm und Zangen.” Berliner Illustr. Nachtausgabe, 8 January 1931.

Powell, Hickman. “His Elephants Don’t Drink.” The World, 18 January 1931.

Calder, Alexander. “Pourquoi j’habite Paris . . .” Nord-Sud (March 1931).

Brissac, Jacques. “Le Plus Petit Cirque du Monde.” Paris-Midi, 23 April 1931.

Galerie Percier, Paris. Alexandre Calder: Volumes–Vecteurs–Densités / Dessins–Portraits. Exhibition catalogue. 1931.

Fernand Léger, Introduction

Berthelot, Pierre. “Calder.” Beaux-Arts, vol. 9 (May 1931).

Heilmaier, Hans. Neue Pariser Zeitung, c. May 1931.

Brown, Don. “American Artist Wins Praise For His Work in Wire.” Chicago Tribune (Paris edition), 2 May 1931.

Vauxcelles. Carnet de la Semaine, 2 May 1931.

New York Herald, 14 May 1931.

Fierens, Paul. Journal des Débats, 15 May 1931.

Legrand-Chabrier. “Le Cirque: à la Foire, à l’Atelier, au Salon.” La Volonté, 17 May 1931.

Art Vivant (June 1931).

Bazin. Amour de l’Art (June 1931).

Theatre Arts Monthly (Summer 1931).

“Kunst im Hochsommer.” Germania, 24 July 1931.

“Berliner Kunstchronik.” Deutsche Tageszeitung, 31 July 1931.

Westheim, Paul. “Legenden aus dem Künsterleben.” Kunstblatt, vol. 15 (August 1931).

Aesop. Fables of Aesop, According to Sir Roger L’Estrange. With Fifty Drawings by Alexander Calder. Paris: Harrison of Paris, 1931.

Parc des Expositions, Porte de Versailles, Paris. Association Artistique les Surindépendants. Exhibition catalogue. 1931.

Teriade, E. Intransigeant, 26 October 1931.

Calder, Alexander. “Comment réaliser l’art?” Abstraction-Création, Art Non Figuratif, no. 1 (1932).

Jacobson, John. “Vroeger ingenieur . . . nu ijzerdraad-Kunstenaar.” Wereldkroniek (January 1932).

Miejskie Muzeum Historji i Sztuki (Muzeum Sztuki w Lodzi), Lodz, Poland. Miedzynarodowa Kolekcja Sztuki Nowoczesnej/Collection Internationale d’Art Nouveau. Exhibition catalogue. 1932.

Parc des Expositions, Porte de Versailles, Paris. “1940.” Exhibition catalogue. 1932.

Galerie Vignon, Paris. Exposition de dessins. Exhibition catalogue. 1932.

Gramont, Henry. “La curieuse exposition de l’americain Calder.” (Publication unknown), February 1932.

Art et Industrie (February 1932).

Legrand-Chabrier. Art et Decoration (February 1932).

Richard, Marius. “Sculptures à moteur.” Patrie, February 1932.

Root, Waverley Lewis. “Calder Makes Some New Gadgets, Puts ‘Em On Exhibit.” Chicago Tribune (Paris edition), February 1932.

Comtesse Belloni. “Ståltrad.” Göteborgs Handels Och Sjöfarts tidning, 20 February 1932.

New York Herald, 27 February 1932.

Harris, Ruth Green. “‘Les americains’ in Paris.” New York Times, 28 February 1932.

Fierens. Journal des Debats, 29 February 1932.

Nouvelles Littéraires, 6 March 1932.

Calder, Alexander. “Que ça bouge—À propos des sculptures mobiles.” Manuscript, 8 March 1932. Calder Foundation, New York.

Gallotti, Jean. “Sculpture automobile.” Vu (6 April 1932).

Julien Levy Gallery, New York. Calder: Mobiles / Abstract Sculptures. Exhibition catalogue. 1932.

Jewell, Edward Alden. “‘Mobiles’ That Startled Paris.” New York Times, 13 May 1932.

“Other Art Events.” New York Evening Post, 21 May 1932.

McBride, Henry. “Art of Alexander Calder Proves Puzzling to Americans.” New York Sun, 21 May 1932.

Gutman, Walter. “In the Galleries: Wire-Work Art.” Worcester Times, 21 May 1932.

“Alexander Calder: Julien Levy Gallery.” Art News (21 May 1932).

New Yorker (c. June 1932).

“Objects to Art Being Static, So He Keeps It in Motion.” New York World-Telegram, 11 June 1932.

“International Artist Pays Visit to Concord.” The Concord Herald, vol. III, no. 24, 16 June 1932.

Buffet, Gabrielle. “Alexandre Calder, ou le roi du fil de fer.” Vertigral, vol. 1, no. 1 (15 July 1932).

Steiglitzer Anzeiger, 29 July 1932.

Focius (Josep Foix Vicenc). “El llenguatge de la nit.” La Publicitat, 24 September 1932.

Gasch, Sebastiá. “El circ d’un escultor.” Mirador, no. 191 (29 September 1932).

Gasch, Sebastiá. “El escultor americano Calder.” AC (Barcelona), Revista trimestral, no. 7 (Fall/Winter 1932).

Prin, Alice (Kiki de Montparnasse). “Secrets of Life in the Famous ‘Latin Quarter,’ the Follies, Triumphs and Tragedies in the Strangest Collection of Queer People in All the World, Revealed by Mlle. Alice Prin, the Best Known Artist’s Model in Europe.” The American Weekly, 23 October 1932.

Calder, Alexander. “Un ‘Mobile.’” Abstraction-Création, Art Non Figuratif, no. 2 (1933).

Ferrero, Miguel Perez. “Hoy, Alejandro Calder ha presentado el circo más pequeño del Mundo en la Sociedad de Cursos y Conferencias.” Heraldo de Madrid, 1 February 1933.

De la Serna, Ramón Gomez. “Calder y Su Circo.” Luz: Diario de la Republica, 1 February 1933.

“El circo más pequeño del mundo.” Ahora, 3 February 1933.

“El ‘Circ més petit del món’, de l’escultor Alexandre Calder, a Barcelona.” La Publicitat, 9 February 1933.

“A. Calder.” Mirador, no. 211 (16 February 1933).