Museu de Arte Moderna, São Paulo, Brazil. II Bienal do Museu de Arte Moderna de São Paulo. Exhibition catalogue. 1953. Introduction by Sergio Milliet.
Group Exhibition CatalogueLouchheim, Aline B. “Cultural Diplomacy: An Art We Neglect.” New York Times Magazine (3 January 1954).
MagazineMuseu de Arte Moderna, São Paulo, Brazil, presents the II Bienal. United States representation consists of three exhibitions prepared by the Museum of Modern Art, New York: two group shows and a solo show devoted to works by Calder.
Museu de Arte Moderna, São Paulo, Brazil. II Bienal do Museu de Arte Moderna de São Paulo. 15 December 1953–28 February 1954.
Arts Council of Great Britain, Tate Gallery, London. Alexander Calder: Sculpture–Mobiles. 4 July–12 August 1962.
During a yearlong stay in Aix-en-Provence, Calder executed the first group of large-scale outdoor works and concurrently concentrated on painting gouaches. In 1954–55, he visited the Middle East, India, and South America, with trips to Paris in between, resulting in an astonishing output and range of work. Toward the late 1950s, Calder turned his attention to commissions both at home and abroad.