Calder Foundation
Black Mobile with Hole (1954)
Black Mobile with Hole (1954)

Black Mobile with Hole

Date 1954
Media
Sheet metal, wire, and paint
Dimensions
88" × 96"
Collection
Calder Foundation, New York
Historical Photos  6
Related exhibitions  9
Solomon R. Guggenheim Museum, New York (1964)

Solomon R. Guggenheim Museum, New York. Alexander Calder: A Retrospective Exhibition. 6 November 1964–31 January 1965.

Solo Exhibition
Musée National d’Art Moderne, Paris (1965)

Musée National d’Art Moderne, Paris. Calder. 8 July–15 October 1965. Originated from the Solomon R. Guggenheim Museum, New York.

Solo Exhibition
Fondation Maeght, Saint-Paul-de-Vence, France (1969)

Fondation Maeght, Saint-Paul-de-Vence, France. Calder. 2 April–31 May 1969.

Solo Exhibition
Palazzo a Vela, Turin, Italy (1983)

Palazzo a Vela, Turin, Italy. Calder: Mostra retrospettiva. 2 July–25 September 1983.

Solo Exhibition
Fundación del Museo Guggenheim Bilbao (2003)

Fundación del Museo Guggenheim Bilbao. Calder: Gravedad y la Gracia. 18 March–12 October 2003.

Solo Exhibition
Leeum, Samsung Museum of Art, Seoul (2013)

Leeum, Samsung Museum of Art, Seoul. Calder. 18 July–20 October 2013.

Solo Exhibition
Los Angeles County Museum of Art (2013)

Los Angeles County Museum of Art. Calder and Abstraction: From Avant-Garde to Iconic. 24 November 2013–27 July 2014.

Solo Exhibition
National Gallery of Victoria, Melbourne (2019)

National Gallery of Victoria, Melbourne. Alexander Calder: Radical Inventor. 5 April–4 August 2019. Originated from Montreal Museum of Fine Arts.

Solo Exhibition
Pace Gallery, New York (2019)

Pace Gallery, New York. Calder: Small Sphere and Heavy Sphere. 14 September–26 October 2019.

Solo Exhibition
Works / Hanging Mobile 167
Related Timeline
1953–1962 Large-scale Developments and Intercontinental Projects

During a yearlong stay in Aix-en-Provence, Calder executed the first group of large-scale outdoor works and concurrently concentrated on painting gouaches. In 1954–55, he visited the Middle East, India, and South America, with trips to Paris in between, resulting in an astonishing output and range of work. Toward the late 1950s, Calder turned his attention to commissions both at home and abroad.