Calder Foundation

Untitled

Date c. 1932
Media
Wood, rod, wire, and paint
Dimensions
58" × 146" × 6"
Collection
Calder Foundation, New York; Gift of Alexander S. C. Rower in memory of Howard Rower, 2009
Historical Photos  1
Related exhibitions  7
Palazzo delle Esposizioni, Rome (2009)

Palazzo delle Esposizioni, Rome. Calder: Sculptor of Air. 23 October 2009–14 February 2010.

Solo Exhibition
Museo Jumex, Mexico City (2015)

Museo Jumex, Mexico City. Calder: Discipline of the Dance. 21 March–28 June 2015.

Solo Exhibition
Fondation Beyeler, Riehen/Basel (2016)

Fondation Beyeler, Riehen/Basel. Alexander Calder & Fischli/Weiss. 29 May–4 September 2016.

Group Exhibition
Whitney Museum of American Art, New York (2017)

Whitney Museum of American Art, New York. Calder: Hypermobility. 9 June–23 October 2017.

Solo Exhibition
Fundación Proa, Buenos Aires (2018)

Fundación Proa, Buenos Aires. Alexander Calder: Theater of Encounters. 8 September 2018–15 January 2019.

Solo Exhibition
Pace Gallery, New York (2019)

Pace Gallery, New York. Calder: Small Sphere and Heavy Sphere. 14 September–26 October 2019.

Solo Exhibition
Azabudai Hills Gallery, Tokyo (2024)

Azabudai Hills Gallery, Tokyo. Calder: Un effet du japonais. 30 May–6 September 2024.

Solo Exhibition
Works / Hanging Mobile 167
Related Timeline
1930–1936 Shift to Abstraction

Following a visit in October of 1930 to Piet Mondrian’s studio, where he was impressed by the environmental installation, Calder made his first wholly abstract compositions and invented the kinetic sculpture now known as the mobile. Coined for these works by Marcel Duchamp in 1931, the word “mobile” refers to both “motion” and “motive” in French. He also created stationary abstract works that Jean Arp dubbed “stabiles.”