Calder Foundation

White Panel

Date 1936
Media
Plywood, sheet metal, tubing, wood, rod, wire, string, and paint
Dimensions
84 1⁄2" × 47" × 51"
Collection
Calder Foundation, New York; Mary Calder Rower Bequest, 2011
Historical Photos  10
Related exhibitions  9
Pierre Matisse Gallery, New York (1937)

Pierre Matisse Gallery, New York. Calder: Stabiles & Mobiles. 23 February–13 March 1937.

Solo Exhibition
George Walter Vincent Smith Gallery, Springfield, Massachusetts (1938)

George Walter Vincent Smith Gallery, Springfield, Massachusetts. Calder Mobiles. 8–27 November 1938.

Solo Exhibition
The Museum of Modern Art, New York (1943)

The Museum of Modern Art, New York. Alexander Calder: Sculptures and Constructions. 29 September 1943–16 January 1944.

Solo Exhibition
National Gallery of Art, Washington, D.C. (1998)

National Gallery of Art, Washington, D.C. Alexander Calder: 1898–1976. 29 March–12 July 1998.

Solo Exhibition
Palazzo delle Esposizioni, Rome (2009)

Palazzo delle Esposizioni, Rome. Calder: Sculptor of Air. 23 October 2009–14 February 2010.

Solo Exhibition
Los Angeles County Museum of Art (2013)

Los Angeles County Museum of Art. Calder and Abstraction: From Avant-Garde to Iconic. 24 November 2013–27 July 2014.

Solo Exhibition
Museo Jumex, Mexico City (2015)

Museo Jumex, Mexico City. Calder: Discipline of the Dance. 21 March–28 June 2015.

Solo Exhibition
Tate Modern, London (2015)

Tate Modern, London. Alexander Calder: Performing Sculpture. 11 November 2015–3 April 2016.

Solo Exhibition
National Gallery of Victoria, Melbourne (2019)

National Gallery of Victoria, Melbourne. Alexander Calder: Radical Inventor. 5 April–4 August 2019. Originated from Montreal Museum of Fine Arts.

Solo Exhibition
Selected films  1
Alexander Calder: Sculpture and Constructions
Alexander Calder: Sculpture and Constructions 1944Cinematography by Herbert Matter
Works / Panel / Frame 23
Works / Wall Sculpture 38
Related Timeline
1930–1936 Shift to Abstraction

Following a visit in October of 1930 to Piet Mondrian’s studio, where he was impressed by the environmental installation, Calder made his first wholly abstract compositions and invented the kinetic sculpture now known as the mobile. Coined for these works by Marcel Duchamp in 1931, the word “mobile” refers to both “motion” and “motive” in French. He also created stationary abstract works that Jean Arp dubbed “stabiles.”