Calder Foundation

Eucalyptus

Date 1940
Media
Sheet metal, wire, and paint
Dimensions
94 1⁄2" × 61"
Collection
Calder Foundation, New York; Gift of Andréa Davidson, Shawn Davidson, Alexander S. C. Rower & Holton Rower, 2010
Historical Photos  10
Related exhibitions  9
Pierre Matisse Gallery, New York (1940)

Pierre Matisse Gallery, New York. Calder. 14 May–1 June 1940.

Solo Exhibition
The Museum of Modern Art, New York (1943)

The Museum of Modern Art, New York. Alexander Calder: Sculptures and Constructions. 29 September 1943–16 January 1944.

Solo Exhibition
Solomon R. Guggenheim Museum, New York (1964)

Solomon R. Guggenheim Museum, New York. Alexander Calder: A Retrospective Exhibition. 6 November 1964–31 January 1965.

Solo Exhibition
Musée National d’Art Moderne, Paris (1965)

Musée National d’Art Moderne, Paris. Calder. 8 July–15 October 1965. Originated from the Solomon R. Guggenheim Museum, New York.

Solo Exhibition
National Gallery of Art, Washington, D.C. (1998)

National Gallery of Art, Washington, D.C. Alexander Calder: 1898–1976. 29 March–12 July 1998.

Solo Exhibition
Fundación del Museo Guggenheim Bilbao (2003)

Fundación del Museo Guggenheim Bilbao. Calder: Gravedad y la Gracia. 18 March–12 October 2003.

Solo Exhibition
Leeum, Samsung Museum of Art, Seoul (2013)

Leeum, Samsung Museum of Art, Seoul. Calder. 18 July–20 October 2013.

Solo Exhibition
Los Angeles County Museum of Art (2013)

Los Angeles County Museum of Art. Calder and Abstraction: From Avant-Garde to Iconic. 24 November 2013–27 July 2014.

Solo Exhibition
Pace Gallery, New York (2019)

Pace Gallery, New York. Calder: Small Sphere and Heavy Sphere. 14 September–26 October 2019.

Solo Exhibition
Works / Hanging Mobile 155
Related Timeline
1937–1945 Public Commissions and the War

In 1937, Calder completed Devil Fish, his first stabile enlarged from a model. He received two important commissions: Mercury Fountain (1937) and Lobster Trap and Fish Tail (1939). His first retrospective was held in 1938 at the George Walter Vincent Smith Gallery in Springfield, Massachusetts, followed by another in 1943 at the Museum of Modern Art in New York.