Calder Foundation

Featured Text

Statement

Alexander Calder Berkshire Museum, Pittsfield, Massachusetts. Modern Painting and Sculpture: Alexander Calder, George L.K. Morris, Calvert Coggeshall, Alma de Gersdorff Morgan. Exhibition catalogue. 1933.

The sense of motion in painting and sculpture has long been considered as one of the primary elements of the composition.

The Futurists prescribed for its rendition.

Marcel Duchamp’s “Nude descending the stairs” is the result of the desire for motion. Here he has also eliminated representative form. This avoids the connotation of ideas which would interfere with the success of the main issue—the sense of movement.

Fernand Léger’s film, “Ballet Mécanique,” is the result of the desire for a picture in motion.

Therefore, why not plastic forms in motion? Not a simple translatory or rotary motion but several motions of different types, speeds and amplitudes composing to make a resultant whole. Just as one can compose colors, or forms, so one can compose motions.

The two motor driven “mobiles” which I am exhibiting are from among the more successful of my earliest attempts at plastic objects in motion. The orbits are all circular arcs or circles. The supports have been painted to disappear against a white background to leave nothing but the moving elements, their forms and colors, and their orbits, speeds and accelerations.

Wherever there is a main issue the elimination of other things which are not essential will make for a stronger result. In the earlier static abstract sculptures I was most interested in space, vectoral quantities, and centers of differing densities.

The esthetic value of these objects cannot be arrived at by reasoning. Familiarization is necessary.

Featured Texts 96

Hauser & Wirth, Somerset, England. Calder: From the Stony River to the Sky. Exhibition catalogue. 2018.

Susan Braeuer Dam, For the Open Air

Jessica Holmes, More than Beautiful: Politics and Ritual in Calder’s Domestic Items

Solo Exhibition Catalogue

“Calder in France.” Cahiers d’Art, no. 1 (2015). Edited by Alexander S. C. Rower.

Susan Braeuer Dam, Calder in France

Robert Melvin Rubin, An Architecture of Making: Saché and Roxbury

Agnès Varda in conversation with Joan Simon

Magazine, Monograph

Musée Picasso, Paris. Calder-Picasso. Exhibition catalogue. 2019.

Bernard Ruiz-Picasso and Alexander S. C. Rower, Confronting the Void

Chus Martinez, No Feeling Is Final

Group Exhibition Catalogue

“Calder in France.” Cahiers d’Art, no. 1 (2015). Edited by Alexander S. C. Rower.

Susan Braeuer Dam, Calder in France

Robert Melvin Rubin, An Architecture of Making: Saché and Roxbury

Agnès Varda in conversation with Joan Simon

Magazine, Monograph